Always be prepared; always work hard and take pride in your work no matter what it is. I still follow that advice and have already tried to pass it on to my children. They, of course, ignored me.
I believe that things are always going to work out, even if in the beginning it doesn't look like they are working out. I know in the long run they are going to work out, and it's going to be fine.
I'd never done a straight play before, never, and it was very hard work - really, really hard work. It was dense, really wordy, and I was determined to learn every word of it - not just skip over bits and pieces.
I think they should take everyone who works for The National Enquirer and the Star, and everyone who works for Us Weekly, and put them all to work looking for terrorists. I think they would find the terrorists. All of them. It would be genius!
I think that with Bob Dylan around, we're living in an era where we have Whitman presenting new work, we have Dickens presenting new work, we have Yeats and Shakespeare presenting new work. It's that level.
But we will say something else. That for far too long in this country, people who can work, people who are able to work, and people who choose not to work: you cannot go on claiming welfare like you are now.
They are imported by companies, controlled as serfs, worked like slaves, and at last go back to China with all their earnings. They are in every place, they seem to have no sex. Boys work, girls work; it is all alike to them.
I actually worked for a small company in Ohio that sort of farmed out work from Disney and Dreamworks, so I really only ever worked in two studios.
I'm a designer, and I work very hard at that. People sometimes want to put down fashion by saying it's frivolous or superficial, but it's not that way at all. It's actually very hard work.
I actually believed if you work hard enough it was inevitable you'd succeed. Then I lived the 'Social Network' movie, but only the first half. The hardest part is the grueling work of constantly being wrong.
I definitely challenge people. But hopefully, I am working harder than anybody else, and so people won't resent the fact that I want them to work hard, as well.
I just feel like bands always need to work harder than the hardest working band. You need to constantly be one-upping yourself and surprising yourself at how hard that you'll work and devote yourself to your craft.
If the work is pure then you have to think it could be understood. If it is not understood it doesn't mean that your work is not accessible. It doesn't worry me, but, of course, I would be pleased if people liked my work.
I go on at least 2-3 auditions a week in the pursuit of more work. So I'm constantly working on material and constantly honing and trying to perfect a craft that is never perfectible - it's always new, and it's always different. It's always a work in...
I went to work with a guy named Matt Fuller, who was a Mothers fan, and low and behold, Arthur was working for him also. We worked together for about six months and decided to strike out on our own.
I suppose all of us - we have the old Protestant work ethic of feeling guilty when you're not working, and getting a buzz from feeling like you're really busy. That's the reason to sort of carry on.
I think people do work too much. I've never been able to understand the whole 'make hay while the sun shines' thing. Either I want to work or I don't want to work.
I definitely want to work with Thom Yorke. I want to work with Damien Marley; there's a few international artists I wouldn't mind working with - like Massacre Children would be ill, and I still have an affinity for the U.K. hip hop scene.
It was a dream come true working with Johnny Depp. He's always been my acting idol. Working with him and watching him work taught me a lot as an actor. He's very down to earth and a lot of fun to hang out with.
I wouldn't say I worked with these people because I was looking for a particular vocal sound. I worked with them because I loved what they had done before-and because they really wanted to work with me.
My parents were working performers, so obviously I saw that there wasn't a lot of fairy tale going on there. It was a precarious world. One that they were deeply committed to and deeply loved, but one that required a lot of hard work.
