When I was working in my first job engineering construction, what I liked the most was working with architects and making buildings that had this creative side coming from the architect and that were making them a big success.
Success has a lot to do with luck, but it also involves a lot of real hard work. The thing about success is you really can't gauge things by album sales.
All our reporters and editors now work seamlessly in print and online. This integration has transformed the way we work. I believe this is vital to the success and growth of newspapers.
There's a part of me that wants to be known and make a comfortable living but still be able to go grocery shopping. My overall idea of success is having people I want to work with want to work with me.
What is success? I think it is a mixture of having a flair for the thing that you are doing; knowing that it is not enough, that you have got to have hard work and a certain sense of purpose.
For lots of people who became rich, they believe they earned their fortune through hard work. They don't think about society and only want to leave their fortune to their children.
In practice, socialism didn't work. But socialism could never have worked because it is based on false premises about human psychology and society, and gross ignorance of human economy.
I started out in anthropology, so to me how society works, how people put themselves together and make things work, has always been a big interest.
When I was 21 I stopped and got married. I tried for a while to be the perfect wife, society this, society that but it wasn't working, so after about a year I went back to work.
I kind of fell backwards into acting. I was studying to be a high school teacher. I look now and I understand completely, or actually barely, how much work it is to be a teacher. It's an incredible amount of work.
Stevie didn't use the technology to drive the song. He used it to enhance. I use the tools to further my work, I don't use my work to further the tools.
I don't try to show off technology in my work. The technology is a means to tell stories, so I think conversations about my work can be had by very large audiences.
What I want from my Lovers is real unadulterated love, and from my genuine workers I expect real work done.
For a long time, I'd work until 10 or 11. When I work, I'm on. I'm 'Magic.' I love it, but it takes a lot out of me.
I love Robyn, not just because we've worked together. I mean, that's why we've worked together - because I love her.
I love working with the same actors repeatedly. That happens a lot. It's kind of inevitable, especially if you work with the same writers and directors and you start to form a company of actors. You gravitate towards each other.
I've had opportunities. But I'm happy at Utah. I can do a lot of nice things and I love the kids. We work hard and we have fun.
The success of the Rat Pack or the Clan was due to the camaraderie, the three guys who work together and kid each other and love each other.
I had a feeling it was gonna work out because not only did I enjoy the music and hit it off with the guys, but I was into theatrical rock and was willing to wear makeup and do anything to make it.
There is a lot of work just in terms of traveling and logistics and people and gear and all that kind of stuff. But I never really have problems playing music. That never seems like work.
Music video directors, who conceive, write and direct these works, enjoy no creative rights, receive no ongoing financial benefit from the sale of our work, and many times are not even credited.
