Language for me narrates the pictures in my mind. When I work on designing livestock equipment I can test run that equipment in my head like 3-D virtual reality. In fact, when I was in college I used to think that everybody was able to do that.
One of the things that I'd like to get back to that I did as a younger actor was to work on, you know, a rep season for a summer where you did two or three Shakespeares, and you'd do a couple of either new plays or classic plays, and you did a differ...
I think I have some ideas on coaching, but listen, coaches work harder than players. The hours they put in, the headaches that they have. That's the one thing I've never liked about coaching. They have all the emotion, passion and preparation without...
I bounce my knees, but I do not have restless leg syndrome. I did an interview, I don't even know who it was with, and they said I told them I have restless leg syndrome and it distracts me from my work. I do not have any syndrome.
I've heard the argument that unemployment benefits somehow act as a disincentive to the long-term unemployed when it comes to looking for work, but the opposite is true. Unemployment Insurance serves as a powerful incentive for people to keep searchi...
The lyrics are always the last thing I do. I always have a recording of basic tracks and maybe some of the lead work. I'll sit back and listen to it, and I'll just concentrate on what kind of feeling it gives me. My goal writing the lyrics is to not ...
To survive, you've got to keep wheedling your way. You can't just sit there and fight against odds when it's not going to work. You have to turn a corner, dig a hole, go through a tunnel - and find a way to keep moving.
From a consideration of the immense volume of newly discovered facts in the field of physics, especially atomic physics, in recent years it might well appear to the layman that the main problems were already solved and that only more detailed work wa...
Intellectual work is essentially a lonely process, and if you can find a way of doing something so that you're in company without being disturbed, that, for me, is the critical thing. I often get to feel isolated so often if I'm sitting either where ...
It's embarrassing that we're in the 21st century and we don't even know what makes gravity work. I'm getting older and thinking maybe I should tackle more than the mundane. I may fail, but at least I will have tried.
During the off-season when you see other people playing in the Super Bowl, you wonder, and you say to yourself, 'Are you ever gonna get there and see what it feels like?' And it pushes you a little bit harder during that off-season to work to try to ...
But more than anything I kind of pride myself in continuing the process that we're trying to accomplish, and that's just to get better and work on my fundamentals. So that's been kind of in the theme now for a couple years and we stuck with it and th...
Herbert, my father, was born in Britain but went out to Africa in his teens to join his father and built up an 18,000-acre ranch in what was then Northern Rhodesia, providing work for the locals. He was my hero when I was a boy.
The first story I ever sold was to 'Argosy' magazine, which no longer exists. That issue also contained work by several other more celebrated writers, like Ray Bradbury - so I felt I had at least one toe on the ladder.
In my view, the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
My research clearly reveals that if we want to put inner-city workers to work immediately, we just can't rely on the private sector. They don't want to touch them; they don't want to hire them.
My great-grandfather Melvin had been a carpenter - so was my father - and they taught me the value of tools: saws, hammers, chisels, files and rulers. It all dealt with conciseness and precision. It eliminated guesswork. One has to know his tools, so...
I don't take notes. I don't have any notebooks. I keep on trying to do that because it seems like a very writerly thing to do, but my mind doesn't work that way. I tend to get the idea for a novel in a big splash.
Unless you consider yourself some sort of human brand, which I don't, you have to deal with the fact that different people are going to like different aspects of your work. It's not consistent. I am not consistent. But I feel OK with that.
Ageism works in both directions. As a teenager in the public eye, people would talk condescendingly to me. When you get older there's this feeling that you have to start carving up your face and body. Right now I'm in the middle ground - I think wome...
I am an adamant feminist. It never occurred to me to take my husband's name when we married. I am a supporter of abortion rights, of equal pay for equal work, of the rights of women prisoners, of all the time-honored feminist causes, and then some.
