What happens on 'Mad Men' in terms of the acting and the writing and the directing, it's superior. And yes, it has tremendous cache and buzz because it's become iconic, but it also deserves all the kudos and the awards as well, because it's a beautif...
I don't mind the sparkle - I think it's kind of a tradition in skating. I don't think the men really need sparkles, but for the women it's part of the glamour of our sport.
I did a lot of research on real serial killers, and they're not Hannibal Lecters. They're cruel men who are given the opportunity to do something terrible, and a lot of the time it's about impotence. They feel powerless in the real world.
Men at a distance, who have admired our systems of government unfounded in nature, are apt to accuse the rulers, and say that taxes have been assessed too high and collected too rigidly.
I like the company of men. I've never been welcome in those groups, but then I would no more go to a consciousness-raising group and talk about my intimate life with my husband than fly to the moon. I never understood all that.
All cities are impressive in their way, because they represent the aspiration of men to lead a common life; those people who wish to live agreeable lives, and in constant intercourse with one another, will build a city as beautiful as Paris.
The Men at Work thing is always there, it's always going to be there. It's not something I consciously think that much about anymore. The thing that stays with you is the songs, which is a good thing for me, because the songs are the things that stan...
If I am walking with two other men, each of them will serve as my teacher. I will pick out the good points of the one and imitate them, and the bad points of the other and correct them in myself.
[last lines] Sheik's Great Grandson: So, these two men from your grandfather's stories, they really lived? Adult Walter: [wistfully] Yeah, they really lived...
Who cares about the men who steered your breakfast cereal through winter storms? How ironic that the more ships have grown in size and consequence, the less space they take up in our imagination.
Kee: Froley. Theodore Faron: Froley. Kee: Name my baby Froley. Theodore Faron: It's the first baby in 18 years. You can't call it Froley. Kee: Says who?
Theodore Faron: Oh yeah, there you go, that's what you always do when it gets tough, you walk away. Julian Taylor: This is our stop.
Driver: What is it you got there? Can I see? [Benicio hands Driver a bullet] Driver: One of those men gave you that? Benicio: They told me not to lose it. Driver: You want me to keep that for you?
Nikita Khrushchev: You won't give up the river bank. I don't care if you lost half your men. Lose the other half. Lose yourself.
Kaffee: Oh, hah, I'm sorry, I keep forgetting. You were sick the day they taught law at law school.
Col. Jessep: Take caution in your tone, Commander. I'm a fair guy, but this fucking heat is making me absolutely crazy.
Galloway: Tell your friend not to get cute down there, the Marines at Gitmo are fanatical. Lt. Weinberg: Fanatical about what? Galloway: About being Marines.
Lt. Kendrick: Private Santiago is dead, and that is a tragedy. But he is dead because he had no code. He is dead because he had no honor, and God was watching.
Kaffee: You're Aunt Ginny? Aunt Ginny Miller: Uh-huh. Kaffee: I'm sorry, I was expecting someone older. Aunt Ginny Miller: So was I.
[upon first meeting] Galloway: You're the attorney division assigned? Kaffee: I'm lead counsel, and this is Sam Weinberg. Lt. Weinberg: I have no responsibilities here whatsoever.
Galloway: Are you planning on doing any investigating, or are you just gonna take the guided tour? Kaffee: I'm pacing myself.
