Yeah, in my scripts, I don't tend to describe landscape too clearly because I like to keep it really basic and sort of let people paint their own picture. I don't find it helpful to spend a page describing a setting, except for maybe a few key things...
I was raised on a farm in Kansas where we lived next door to my Grandma Dew, and I was her shadow. We went everywhere together - to the bank, the doctor, the Early Bird Garden Club, and to an endless procession of Church meetings.
I sit in places like Costa Coffee in Banstead and write rubbish. I need a deadline. I think about the 44 tour dates and keep imagining standing in front of all these people. Then every day I write 15 jokes minimum.
I know it's not the most important thing for me to win the most Grand Slams and be remembered in this world. I certainly don't have to win little tournaments here, there and everywhere, I don't have to win at all. Although I do want to.
Grand Slam losses are hard. I treat myself after losses though, I usually go to McDonald's and I have a hamburger and you know, something. Because you know, you just need to be nice to yourself sometimes after the loss.
I became a clown when these docs came to the house in Berkeley and asked me to come cheer up kids. I'd just had my third spinal fusion and I was looking for something to take my mind off the pain I was in.
I play games on-set at work. Sometimes I can't remember people's names, so I start throwing out clues. Like if I can't think of George Clooney, I'll say, 'You know, drop-dead gorgeous, was on a big TV show... ' Until someone says his name, I can't fi...
I like taking a path into new country, and I always take the darker path. Not because it's dark, but because there's a secret there that you can share when you get out. That's what I liked as a kid. That's how I approach my work. With a face like min...
I think every writer has got to direct. If you don't direct, you can't protect your work. The only way to ensure that it's going to be as close as possible to what you put down on paper - and what you see and hear in your head - is to do it yourself.
A lot of people don't know what I do. In the industry they take credit for work because to some degree it makes them feel worthy or greater. I am not a ghostwriter 'cause it is on the CD covers who wrote and did what but people don't care about anyth...
I can tell you who I'd like to work with as far as rock legends. Definitely Dave Grohl from the Foo Fighters. Of course Linkin Park. Actually, I already worked with Travis Barker on a couple of things. Gotta let the drummer get some. Possibly Paramor...
I sort of tried to get a basketball scholarship out of high school, but that didn't happen. Then I started working for UPS, and that paid for tuition for school. I moved to a bigger town, Louisville. I did it for a year. I had to work the graveyard s...
I think there's a lot of mythos about what's required in acting. The way that actors talk about acting is generally quite punishing, and I think actors want to put forward the idea that they do all of this work because, you know, it's a post-De Niro ...
I don't work all day, every day on 'Rizzoli & Isles,' but I work every day. It may be a scene or two, or it may be an enormous workload, but there's really not a lot of room for anything else, and that's the choice I made. And that's why I stayed awa...
I definitely had those moments, like any actor, when you get anxious and think, 'When am I going to work again?' But I would feel that way even when I had every offer in the world coming to me. Then I became a father and I felt a little more of the a...
Since I was from the theater, that's how I learned how to go through the process of being a character. That's how I learned, and that's what I was comfortable doing. And then, the first feature films, I'm sure I was no fun because I did not want to b...
If I want to know how I'm doing at work, I don't wait for a pat on the back; I ask the people who will give me a clear, objective opinion. When I need a real, arms-wrapped-around-me hug, I go to someone who does that. I stopped getting disappointed b...
My work has always been controversial within certain segments of the Asian-American community. This is a community that is generally not represented well at all on the stage, in the media, etc. So on those few occasions when something comes along, ev...
I think that, at the end of the day, I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the 'New York Times' crossword puzzle does: Sometimes you just want to put it down or throw it out th...
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan's work. Like Andy, Ryan's finger is so on the pulse of culture that he...
For me, I'm always looking for opportunities to work with people who are better than me, who are more experienced than me, people from whom I can learn. And who could I learn more from than someone with an unprecedented movie star career that has spa...
