Japan has very long hospital stays. Ah, it's almost a rest cure. People in Japan who are hospitalized might lie around the hospital for a week or two just to take a rest.
I'm a little more measured. That sense of urgency I thought accompanied things - it can take a little longer. You have to take the long view.
I like to begin every screenplay with a burst of delusional self-confidence. It tends to fade pretty quickly, but (for me, at least) there doesn't seem to be any other way to start writing a script.
I don't want to make 'Chandni Bar 2.' I didn't think 'Fashion 2' will happen. If a film ends on a high note... makes the audience think and lingers in the end... that is needed.
I have to use other things to help my tennis, like my brain. But I believe that, even when your muscles are not so fast, with the brain and with concentration you can compensate.
Maybe something is wrong with me, but I just think I'm normal. I'm not super-skinny but I'm not super-fat. But I don't really care about what other people say.
There's a misconception that maybe I'm overly confident or a little vapid or that I am a stereotypical, bratty, spoiled girl who doesn't have much to bring to the table other than how people perceive her physically.
I feel people think I'm almost like a robot - like an android... I just don't really get portrayed as someone who has feelings or who is sympathetic... like a self-absorbed ice queen.
I believe in all of these Irish myths, like leprechauns. Not the pot of gold, not the Lucky Charms leprechauns. But maybe was there something in the traditional sense? I believe that this stuff came from somewhere other than people's imaginations.
I like the days when all the filmmakers had was a film roll, a camera and a gangster. The Mack Sennett comedies were all like that. They'd create little teams to go out and shoot films.
I grew up on the tennis court with lots of other kids. There were like 40 kids all afternoon and I was one of the youngest ones, so I always had to chase everybody to keep up.
The top players talk more now, and we have more meetings. We're just trying to get things better. But we still need somebody who could make a difference.
I didn't know who Jimmy Choo was. I think Vanessa Williams was also a very big part of that, teaching me about the designers. I had no choice but to learn, and I'm glad I did.
Homer Simpson is one of my favorite people, though he's not real. He represents the American who's filled with this 'affluenza.' He's constantly exposed to consumption and a sense of bigness, which is a part of being an American.
It's a shame that so many people are so intimidated and bothered by Tim Tebow's stance as a Christian. He's not bothering anybody. He's simply being who He is and giving all glory to His Lord.
Do you ever think about the fact that Jesus never said a mumbling word? You may have heard that phrase before, but how much have you ever thought about it?
I try not to repeat a story. I try not to repeat an emotion. I want it to be all sort of new for the viewers and to challenge myself as a writer, so there's always pressure. What else can you come up with?
The jokes I used to do on 'Sex and the City' were always comic character things, and they were rarely hard jokes. As soon as you go up in front of people, it demands laughter.
As a tennis player you can win and you can lose, and you have to be ready for both. I practised self-control as a kid. But as you get older they both - winning and losing - get easier.
My goal is to improve my game, stay healthy and be competitive. If I have that, I know I can be able to win tournaments, which in the end is what it counts.
I think I am a complete player. I can play well on all the surfaces. For me, the clay might be easiest, but I am not a specialist on clay.
