I make fun of guys when I like them. I act like I'm 10 years old. I do it as a test to see if they can laugh at themselves. If they get sensitive, then it's like, 'Um, this isn't going to work.'
When I work out, I wear two in-the-ear hearing aids for comfort, and then I wear the behind-the-ears for my day-to-day non-physical activities, when I need maximum hearing and to communicate with people and do interviews!
So I majored in Drama, did all the plays that were possible to do, skated through school in order to be in every production on stage or backstage in whatever capacity and I came to New York looking for work in the summers.
Since we didn't use guns, we wanted to make sure we could earn the ability to win the audience over by making it believable. A lot of what you do when you work out in that mode is use your mental energy.
I'm a big fan of Edouard Vuillard, so I'd like anything by him - particularly a painting called 'Madame Hessel on the Sofa.' His work is realistic without being literal: I can really imagine what Madame Hessel is thinking.
I always sort of create practical problems so that I don't have to see a film I've just done. I'm too vulnerable, too fragile. People see your work, and there's nothing you can do. You're completely exposed.
I got a couple of different contacts from publishing companies saying they'd be interested in a book about my work: not a kiss-and-tell book, which I specifically put in the contract. Just a book about my work and what I did.
I pushed the process forward by saying, 'We should do this, this, and this right now. Please find the budget for me to find a structural engineer, a mechanical engineer, a civil engineer, so we can do the preliminary work.'
My mother had been a country and western singer but when she moved out to Hollywood found it very difficult to get work so when I was born they put me into dance classes and singing classes as soon as I could walk actually.
It was a dream come true working with Johnny Depp. He's always been my acting idol. Working with him and watching him work taught me a lot as an actor. He's very down to earth and a lot of fun to hang out with.
And basically I always said when I was little that if I ever became successful or a celebrity, I would buy her this huge house and she would never have to work anymore. And I've done that. So I feel happy about doing that.
You have to, in a way, just get your head down and do the work and not expect every day to bring riches and not expect every minute to bring wild excitement, 'cause it just doesn't. It doesn't on films, anyway.
My parents were working performers, so obviously I saw that there wasn't a lot of fairy tale going on there. It was a precarious world. One that they were deeply committed to and deeply loved, but one that required a lot of hard work.
I'm just not one of these guys who, like, you know, woke up with a six-pack. I need Skittles. I have to eat very particularly and I have to work out like a madman. And then it looks like... okay.
A New York casting director, who shall remain nameless, once said to me, 'Marcia, you have what I call the flaring-nostril look, and until you get something done about it, you will never, ever work.'
I always thought I'd go to university and then get a real job, you know. Now I want to do stuff that really makes me happy. Although I'm still trying to work out what that is. But for me there are always constants.
My favorite thing to hear from people is, 'I left the theater and couldn't stop thinking about it.' You want your work to have an impact after they leave the theater. It's the equivalent of leaving a musical humming a show tune.
I am in the position where I don't have to work for the sake of working, so I'm very lucky, in a sense. So, I can always sit back and wait for a project that I respond to, that I want to do.
I quite liked having a baby - I think I won't put it more strongly than that. But I had no intention of allowing motherhood to disrupt my work as an archeologist.
The left-wing thinkers and intellectuals have been more misogynist with me than the army. They can't accept that a young woman is able to think, and they underestimate the intellectual work and study I might have done. They ask who is the man behind ...
My wife and I don't compete. We know each other's preferences, and we work to provide those for each other. One will take over when the other is faced with something he or she dislikes. That's what friends do.
