A lot of directors keep writers away because the writers know the script better than anybody, obviously they do, and they have certain intents. But a lot of people would be surprised to know that writers are pretty flexible when it comes to their wor...
I certainly do all sorts of work. I'm very, very blessed to do drama and other types of television, and things like that, but I always go back to sci-fi, whenever possible, because that's really exciting for me.
So I started to relax and would work on my act eight hours a day, sitting at a desk writing at my grandmother's house, and I would put on Richard Pryor Live on Long Beach and would play it like a loop and think and write.
I had a very difficult childhood. I was surrounded by people who had both parents, which made me feel different. Having a bit of a rougher existence early on, it made me appreciate the work ethic that my grandparents instilled in me.
Don't forget, I've been fired by studios; I'm not the studio's guy. I'm a guy who can work with studios, but if you ask any studio, I stand up to these people.
Once you're directing, you're kind of in a certain mode, where you're taking whatever is on the page and forming it into the film that you think it might want to be. So whether it's my writing or not, I still try to work with it in the same way.
After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film.
I hadn't ever felt any particular calling to be a novelist, and I clearly remember telling a friend of mine about six months before I started work on 'Elsewhere' that I would never write a novel.
When I was young in L.A. and I couldn't get into clubs or restaurants, I would call imitating celebrities and get a table, and it would work often. I was either Stallone or Mickey Rourke: 'This is Sly. I may be late, but my buddy Hank will be there e...
We're fit, we're healthy, we eat right, we work out. 'Plus size model' does not mean that we're not healthy. Plus size is not glamourising obesity: it's about empowering. The message behind the fashion is feeling confident in whatever you're wearing.
All actors do that. Should do that and do that. For the most part. I say all actors. I'm exaggerating, but you know who does and who doesn't. Vince is a wonderful young actor who knows his work and did a beautiful job on this film.
When you're young and starting out, the big hurdle is to relax enough in rehearsal so that you don't feel intimidated. The more work you've done, the more you can experiment in rehearsal and not have to worry about getting the sack.
I am an animator. I feel like I'm the manager of a animation cinema factory. I am not an executive. I'm rather like a foreman, like the boss of a team of craftsmen. That is the spirit of how I work.
'Coraline' is Neil Gaiman's book, it sold a lot, it has a big fan base. It was originally conceived to be live action, but I never really wanted it to be. I always thought that it would work better as an animated film.
I work like a dog, really. I go over scripts like a mad man and just want to make sure I have my house built, so that I can just kind of go nuts inside of it.
Don't be afraid to fail. You're going to go on a million auditions, and most of them you won't get. It's very easy to think, 'This is not going to work for me,' but keep at it. It's very generic advice, but you have to be willing to keep yourself in ...
I began coming to Paris in the 1960s when I was told audiences here liked my work. More than 20 of my plays have been produced in Paris, and several have had long runs and have returned in revivals.
Theatre is relatively easy if you're British - you're living in the theatre capital of the world, London - there are so many places you can work, still. If I had begun to think of myself as a film actor, I think I would have got distracted.
I go on at least 2-3 auditions a week in the pursuit of more work. So I'm constantly working on material and constantly honing and trying to perfect a craft that is never perfectible - it's always new, and it's always different. It's always a work in...
What I learned most from my father wasn't anything he said; it was just the way he behaved. He loved his work so much that, whenever he came on set, he brought that with him, and other people rose to it.
Very difficult to understand American audience, what they like, what they don't like. Some movie I like very much, it doesn't work. Some movie I don't like, it gets big box office. Very difficult.
