I didn't really blossom until my mid teens, and by that time I had to work on my personality to make people like me. I found it easy to make people laugh and I was always pretty popular.
A lot of my time is spent watching films and reading scripts. And it can be all-consuming. And it's obviously something I'm fortunate that is both my work and my hobby. It's what I would naturally be doing anyway.
There's no question that the '70s themselves were really wide open. There was just so much being done at that time. Every year, the major studios were commissioning things that they would never touch today or even thought of touching in the 1950s.
I think a lot of what I've done is about people feeling as if they are part of the world but also not part of it at the same time. I don't know whether that's from being a gay kid, but I definitely think that resonates with me.
When we want to reach a dream for the second time, you want it to come true, when you try so hard, you are so close to achieving it, it makes things very difficult to live with afterwards.
A lot of what I do as a showrunner is anxiety control. People get nervous when they don't know what's going on, so a big part of my job is making sure everyone has all of the information all of the time.
I used to work, part time, in a deli, in those days when your parents made you work just so you should know what work was like. And you'd make 4, 5, 6, ten dollars.
There's the animation ghetto of feature films in this country. There's this flavor at DreamWorks, and Pixar does their own thing, and generally they're safe. But if you look at Walt Disney's original films, at the time and in the context, they weren'...
I have one of these bodies. When I was younger, I could never put weight on, and now that I'm a little older, there's a natural sort of chubbiness coming. But honestly, if I work out for a week, it drops off in no time.
The time I'm not spending with my kid has to be worth it, so when I sat down with my agents after I was ready to go back to work, I told them: It's all about the directors.
I tried to be as thorough as I can, but there is a responsibility that we all have, especially with something like AA which is dependant on anonymity. Once you start banging on about it the whole time, you are potentially damaging the whole concept o...
How do you do something where you're able to be specific and edgy enough to compete with what the cable networks are doing and, at the same time, appeal to a broader audience? That's the line that everyone in network television is trying to tread.
It's a fine line to find that balance: to show people enough to give them the promise of something unique, and something they want to see, but at the same time make sure that when they show up for the movie, they're surprised by what they eventually ...
Walt Disney had always tried to get more dimension in his animation and when I saw these tapes, I thought, This is it! This is what Walt was waiting for! But when I looked around, nobody at the studio at the time was even halfway interested in it.
When I started work with LucasArts Computer Division back in 1984, I went to the Palace of Fine Arts and saw the Festival of Animation for the first time. I loved the diverse collection of animated films the festival held.
Yeah, I think that's it... It's like Jesse James. He became really popular because he lasted so long. You know, there is some degree of truth to the fact that time will dignify anything, too.
The whole time I've been an actor, from early in Houston, my goal has been to work - to keep doing it. I feel at my most satisfied as a human being when I'm working on a role.
I have generally sought to work on questions that I thought were both interesting and approachable, yet not too widely appreciated. To struggle to make discoveries that would be made by others a short time later seems futile to me.
I didn't know it at the time, but Hitch didn't want to talk to me - he hated meeting with people he might have to reject. As it turned out, someone, maybe his agent, insisted that he interview me.
My highest point was the first thing I won, a short story competition in a women's magazine in the Eighties. It was the first time I'd had my writing validated, and the first thing I'd ever shown anyone else.
After winning the Oscar, I was committed to do 'Fried Green Tomatoes,' but I didn't know what the next thing would be after that. It was a scary time. But the advantage of TV is the regular work. All you need is a hit series, I guess.
