One of the fears of having too much work is not having time to observe. And once you get recognised, there is nowhere for you to look any more. You can't sit on a night bus and watch it all happen.
Well it was sent to me, well because almost everything that is written in Baltimore is sent to me. And David Simon, who was a writer for the Baltimore Sun, spent one year following the homicide squad in Baltimore and he chronicled that period of time...
It's finding those nonsensical pieces of conversation that we all do all the time. We do all the time. When we're talking on the telephone, there are arguments with people who agree when they both think that they disagree.
I was embarrassingly well-versed in Marvel lore, so it was pretty easy to slip into that world. But really, already, by the time I'd started writing superhero comics, my dream was really to be writing my own characters.
The trailblazers are my role models in this industry: Sidney Poitier, Harry Belafonte, James Earl Jones, and Billy Dee Williams. I keep their pictures in my trailer and try to measure to their standards every time I act.
It gets very tiring when you are filming and then taken to a room to do school work. I never get any rest time. It is either work or school. Once you are an adult, you get to take a nap in between shots.
The problem with being a writer/director: unless you're really disciplined, you start adding projects, and you have to make time to make them. Because you have to write them... no one else is writing them for me.
With 'Sin Nombre,' there are parts that I wish were longer. And with 'Jane Eyre' especially, there were parts that I had to compress that I thought it would have been really nice to spend more time with - to spend with the characters.
I think he was explicit that it was a slave labor situation, but I was not alarmed at that point, because there were so many tragedies involved in that war. That was the first time I had any indication that something was sort of strange.
There are directors you never, ever want to get close to. Lubitsch was one. Outside of the work, I don't think I ever said five words to him. Mamet was pretty much the same thing. His mind is working all the time.
Tony Visconti and I had been wanting to work together again for a few years now. Both of us had fairly large commitments and for a long time we couldn't see a space in which we could get anything together.
I mean this sincerely... and I don't know why, but there was a period of time that for some reason, whenever 'Charles in Charge' was on, I couldn't not watch it. I didn't like it and I didn't hate it. I just couldn't not watch.
Eight o'clock is hard no matter what network you're on because people have to make a decision to sit down and start watching TV. Every other time slot is a time slot that happens after someone's watching something else.
I'm interested in internationalism. It's the new multiculturalism. How we deal with each other isn't sufficient any more. It's about time we examine how we interact with the rest of the world we live in.
I remember what it was like to be doing 'Lost' and how creatively immersive it was. I just couldn't really engage on anything else, other than 'Lost;' I was just thinking about it all the time, and then there was just the pure workload, the 70- or 80...
I don't work with a stylist, I don't work with a glam squad to get me together for the red carpet, I really enjoy the time it takes to do it myself, to choose my clothes and do my own makeup and my own hair.
The only way to create a foundational document that could stand the test of time was to build in enough flexibility that later generations would be able to adapt it to their own needs and uses.
I loved to watch cartoons and even made little stop-motion films in the backyard. At the time, I never really thought that it was something you could do for a living; it never actually hit me that people do that sort of thing or I would be capable of...
I loved 'Star Wars' as a kid, but I missed out on the experiences of seeing them for the first time. It was before my time, and 'Lord of the Rings,' that trilogy felt like something similar to what 'Star Wars' was for previous generations.
I went to a Christian all-boys' college one time to pick up my buddies so we could go play baseball, and I just remember walking through the halls, and there's all these crucified Jesuses. It's scary.
Ron Reagan amazingly qualifies as an honest broker. I asked him if he was a mama's boy and he said no, more of a papa's boy. At the same time he was willing to say that his father had many shortcomings and needed to be held accountable.
