I'm fishing for men with a certain kind of bait, and the bait that I am offering is not a candy; it's a very specific thing that I'm offering, which is a deep gospel and a deep conversion.
It's the unusual leading man. Most of the Hollywood leading men are powerful and capable and strong, heroes. He has this vulnerability, he's fragile, he struggles to find a way to live from day to day that we can identify with, that we can understand...
The story of the Alamo has touched many more people than one would think. So, I would like to pay my respects to those men on both sides of the walls in those months of February and March 1836.
Is that your final answer? Here in New York garbage men, bus drivers, taxi cab drivers, bus drivers, whoever, you know, people just yell it out to me. So that was a lot of fun.
The 12 years that I was improvising are why I got the number of commercials I got when I was in New York and why I got 'The Devil Wears Prada,' and it's why I even got in the door for 'Mad Men.'
Some people can get away with being very sexy to men and not looking like a complete cow, but I didn't think I was in a position where people knew me well enough.
Building walls isn't going to work in the long run. Some people are happy with the wall in Israel, but somebody will get a weapon someday and knock it over or something. Walls aren't the answer between countries, though.
I'm just a girl from Amsterdam. It's a small city. Everybody knows Amsterdam, but it's still a small city. To come from there, to work with Will. i. am... it's like, 'What happened?! What did I do right?'
I'm part of a speech therapy course called the Maguire Programme. It isn't a cure; it's something you need to maintain and work on. I get days where I find things more difficult than others.
No one knows for sure if you can inherit a stammer, and so I worry that my baby might. It's why I want to work on my speech before he arrives. I don't want him to hear me stammer.
I had four or five years in school training as a soprano. I fell into pop singing because of economics. I got out of high school and had to go work, and they weren't hiring opera singers.
What I had to prove was that I had a dedication and a desire and a passion to do the work and everything else would fall in place because I have a vision that I want to portray and it did and I do it. I don't sell anything.
I'm not photographing the model in the classic sense; the model is playing a part in my photographs. It's more like theater. I always work with models I know, and I let them participate in deciding how to act their part.
And it took me about 11 years to get a record deal, and I just had to work around and come to terms with the fact that what I was doing was going to be different, and I just had to wait until somebody was ready to jump on the bandwagon.
I always put dance stuff out because you have to work, man. You have to eat. You have to compromise sometimes to make it. I had to make sacrifices, and I had to raise my children.
Well there is a lot of work here for younger and older musicians now. Our Ministry of Culture has now really embarked on changing things for artists, and it is getting much better. We just have to organize ourselves as artists, and then things will b...
There are people I would like to work with. It's a bit harder, because I live out in the sticks anyway, and plus being in a wheelchair means that I can't really circulate. So I tend to stick to my own thing.
In the 9th grade I began my first wage work for the West Side Drug store delivering prescriptions and sundries on my bicycle to customers who called in orders.
He was my North, my South, my East and West, My working week and my Sunday rest, My noon, my midnight, my talk, my song; I thought that love would last forever: I was wrong.
She was appalled by West Egg’s raw vigour that chafed under the old euphemisms and by the too obtrusive fate that eroded its inhabitants along a short-cut from nothing to nothing. She saw something awful in the very simplicity she failed to underst...
Deployed upon that plain they moved in a constant elision, ordained agents of the actual dividing out the world which they encountered and leaving what had been and what would never be alike extinguished on the ground behind them.
