Theatre is immediate, it's alive, you're there with the audience, it can't be done again and again and again and again, it's organic.
I try not to think too much about what the audience is thinking and what they think I should do.
You know, we have our own audience, and it's not like - they just know we're not going to do certain things.
Comedy's about opening up and being unique, but to a point where the audience can relate to what you're saying.
I don't have the ability to find a middle ground with my audiences, and I know this too well.
Audiences grew to like this duality of feeling, where you're both championing a character and you're revolted by them.
Games are advancing in terms of storytelling and trying to create a character, and it's a brand new audience for me.
In my acting, I have tried to do this - to present to audiences a living creature in whom they can recognise themselves or someone they know.
Everything about starting out in comedy is pride-swallowing, from handing out fliers to bombing in front of audiences.
If my books appear to a reader to be oversimplified, then you shouldn't read them: You're not the audience!
To me the recognition of the audience is part of the filmmaking process. When you make a movie, it's for them.
I don't know how to do the other, so I won't even consider television until the audience's taste changes.
They say, 'TV is not a captive audience,' but it definitely is. You can easily switch off the bloody television.
What makes a publisher decide to market a book to a particular audience is not the subject matter but the style.
We all do films believing in them completely, but sometimes, the audiences like what we like, and other times, they don't.
I did a fantastic emotional film, 'Autograph.' But the audiences rejected me in it. They like to see me laughing and fighting.
I think that by ignoring the show you're ignoring the audience who put you there.
You can make an audience see nearly anything, if you yourself believe in it.
D.C. is one my largest audiences. They buy tons of records of mine in Washington, D.C.
I think you should make a movie that has an audience.
There's still a 1950s view of cinema, that there's one audience and they all want to see the same thing.
