Doing a sitcom is like doing a play - you rehearse for three or four days, and then you shoot what you rehearsed on Friday night in front of an audience. An hour-long drama is like shooting a movie. You're shooting 13-14 hour days. The endurance itse...
I don't consider myself to be incredibly confident, or really lacking in confidence. When you're on Jonathan Ross' or Graham Norton's show, inevitably there's something to sell. And there's a live audience; you're sat between Cameron Diaz and Tinie T...
I have very simple ambitions. If I can just not be boring, I'm ahead of the game. It's hard in television. I think you get enormous reward from the audience. Just give them something they didn't see coming, and you get enormous points.
I lose tons of stuff on the cutting room floor. For Scary Movie 3, for example, we had a lot of Matrix spoofs, a Hulk scene, and some of that stuff just doesn't hold up - it's too much plot, audiences just didn't want to hear about it.
I am not doing comedy because the genre is successful. If that was the case, I would have done a run-of-the-mill comedy film. I set my own trends. I like to give something new and different to my audiences. I want to do the kind of comedy that has be...
I graduated college in 1992 and didn't reach a sizable audience with my column for nine solid years. If I had started ten years later, or ten years sooner, everything could have happened sooner, obviously. But if I had started fifteen years later? I ...
We feel like 'Lost' deserved a real resolution, not a 'snow globe, waking up in bed, it's all been a dream, cut to black' kind of ending. We thought that would be kind of a betrayal to an audience that's been on this journey for six years. We thought...
It used to be that you needed a $500-million-a-year company in order to reach a worldwide audience of consumers. Now, all you need is a Steam account. That changes a whole bunch of stuff. It's kind of a boring 'gee, information processing changes a s...
Ayn Rand's 'philosophy' is nearly perfect in its immorality, which makes the size of her audience all the more ominous and symptomatic as we enter a curious new phase in our society.... To justify and extol human greed and egotism is to my mind not o...
My basic mistake in 'The World's Greatest Lover' was that I made the leading character a neurotic kook and sent him to Hollywood. I should have made him a perfectly normal, sane, ordinary person, and sent him to Hollywood. The audience identifies wit...
Here's the thing, with comedy - and I learned this from Will Ferrell - you can't be ashamed. If you're doing comedy, you have to fully commit to the joke. Shame is not part of it. If you act shy or uncomfortable about your body, that makes the audien...
I don't often go to curator or artist walk-throughs of exhibitions. For a critic, it feels like cheating. I want to see shows with my own eyes, making my own mistakes, viewing exhibitions the way most of their audience sees them.
I don't know why people are so surprised by my live performances. My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears or inspiration. Otherwise, why should I do it?
I think the cartoons that they're children are watching, particularly 'The Simpsons,' they're OK. I think that the adult audience is making much too much of the danger that they imply. That's not the case. The danger for children today, honey, is the...
Bob Cormier: Hey! From the racks and stacks, it's the best on wax! How 'bout another double-golden-oldie-twin-spin-sound-sandwich from K-L-A-M in Portland? Iiiiiiit's... Pie-Eat Audience: [finishing sentence] Boss!
Olive: I'd like to dedicate this to my grandpa, who showed me these moves. Pageant MC: Aww, that is so sweet. [Audience applauds] Pageant MC: Is he here? Where's your grandpa right now? Olive: In the trunk of our car.
[at a spelling bee] Teacher: The word is "forensics". Kid: Ah, fuck that. Why should we fucking have to spell forensics? [cheers from kids in audience] Kid: S-U-C-K-M-Y-A-S-S. Forensics.
Police/gangster films always have a huge following and huge audience because of the power, glamour, and certain fantasy aspect they have to them. When people watch movies, they like to fantasize being in a surreal world, and sometimes a criminal worl...
Most of the time, as an artist, I can be self-indulgent, fulfilling my own impulses, embracing imagery that contains poetry on my own terms, without immediate regard to an audience or the particular placement of my finished work.
One of the nice things about 'Redshirts' getting onto the actual best-seller list, and doing as well as it has been doing, is that it's kind of a wake-up call that the science fiction audience - regardless of the long-held superstitions or beliefs of...
I measure success in terms of the connection with the audience, which we've been able to do in spades. I mean, it's very hard to do that. You think about it, you go back in time, you can say, 'Well, there's, like, 'Saturday Night Live' and 'Rolling S...
