Given the choice between trivial material brilliantly told versus profound material badly told, an audience will always choose the trivial told brilliantly.
All life is theatre,' he said. 'We are all actors, you and I, in a play which nobody wrote and which nobody will see. We have no audience but ourselves....
And that, I guessed, was the aim of the Lord Chamberlain's Men: to serve up rich helpings of life to their audiences, to introduce them to people they would never otherwise meet, to stretch their minds and heart to fill a greater world.
Bravado may stir the crowd, but courage needs no audience.
Potentially, anyone writing on the Web can reach a global audience. In practice, hardly anyone ever does.
Good twists are enormously hard to come by, and I think the best ones are earned ones. The idea that a story can take a left turn on you, it's easy to do, but it has to be done very, very carefully, or else you risk losing the audience's trust.
The thing I always liked best about touring abroad was constantly running into different people, different cultures, different foods. It really pumped up my batteries... I'm constantly playing to a demographically diverse audience... one generation i...
I am very proud of what 'Johnny' achieved in stand-up comedy because he believed entirely in giving an audience the best kick he could. But he was someone who was quite detrimental to my health, both emotionally and physically.
One of the best moments of any Liars show is hearing the crowd squawk 'We're doomed! We're doomed!' on cue during 'We Fenced Other Houses with the Bones of Our Own.' Maybe not the most uplifting audience sing-along in the indie rock world, but one of...
I came from the Groundlings Theatre in L.A., and there, you're guaranteed to at least try something out in front of an audience. At 'SNL,' only the best stuff gets picked, and it's taught me a very defined language of comedy. You learn the structure ...
You know, the hard thing about audiences not liking what a character does is that they sometimes take it out on the actor personally. That's something that you know when you become an actor or actress, but it's always hard to deal with when it actual...
A workshop is a way of renting an audience, and making sure you're communicating what you think you're communicating. It's so easy as a young writer to think you're been very clear when in fact you haven't.
What we learned quite early on is what was really important to early British pop that we produced-and this is where we were distinct from almost everybody else in this respect-is that it had to reflect exactly what the audience wanted us to say.
I find theatre easier than films, because it gives you an environment of a dark hall, the audience concentrating with you... whereas, film sets are not conducive to long rehearsals, and it is difficult to pick up the emotions amidst all that is going...
I think often I learn the most from other people's mistakes. If I'm in the audience watching an actor and thinking, 'I don't believe you,' I spend the rest of the play working out why I don't believe them.
You look at John Travolta in 'Pulp Fiction', you look at Donnie Wahlberg in 'The Sixth Sense.' People have liens against them in crazy ways and the audience is always forgiving - if you prove it.
I feel more pressure when I'm writing for teens. I'm very aware that my audience is impressionable. Therefore, I'm far more careful about what I say and the language I use.
One of the greatest tools you have as a songwriter is anonymity. If someone knows too much about the songwriter, they don't get to insert their own characters. I don't want the audience thinking about the gay guy who wrote the song.
'Lost' holds a very special place in people's hearts and I wouldn't presume to say that 'FlashForward' will replace 'Lost.' I think it provides a lot of the same adrenaline and fascination and entertainment. It will help ease the pain of losing 'Lost...
There was this wonderful trick of going to the theater with my parents and sitting in the audience under the watchful eye of an usher, and then these other people would come on the stage: They spoke differently and had different clothes and hair. Aft...
When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.
