it’s that sense of powerlessness that destroyed my soul. i cannot be as good as i would like to be.nor as bad as i think i need to be.i think you have the same doubts that your goodness was not rewarded
They are the efforts of someone who, overarced by stars that are human handiwork, and who, shelterless in this till now undreamt of sense and thus most uncannily in the open, goes with his very being into language, reality-wounded and reality-seeking...
The human being is a very poorly designed machine tool. The human being excels in coordination. He excels in relating perception to action. He works best if the entire human being, muscles, senses, and mind, is engaged in the work.
There is something very intriguing about, for example, the sense of accomplishment that a small child has, which you might be able to reduce to aggression and libido, but which might also have some independent existence.
In financial terms, my sense is that the distribution of wealth, unequal as it is, is self-perpetuating, and, especially in a linked and accelerating world, the rich get ever more quickly richer while the poor get ever more speedily poorer.
Being a "lone wolf" has is advantages you can look from outside in and the inside out, you can get a sense for something from the clarity of being an outsider. You are free from the constraints of negative influence.
My sense of a poem - my notion of how you revise - is: you get yourself into a state where what you are intensely conscious of is not why you wrote it or how you wrote it, but what you wrote.
But we were really locked in to that kind of format, and as the '90s wore on, it became for me more solidified, in that sense that there weren't as many of those magical shows that were just magic all the way through as there had been in earlier year...
I have moved on from being a British parliamentarian, I have moved on from being a New Labour politician, I have moved on from being the supporter in the active day-to-day sense of Tony Blair.
I spend my days kneeling in the muck of language, feeling around for gooey verbs, nouns, and modifiers that I can squash together to make a blob of a sentence that bears some likeness to reason and sense.
I wanted to take a stand against what I think was not so well established then but is thoroughly well established now, which is the substitution for a real sense of a country of a hideous distortion which you can sell to the people called 'heritage'.
A part of me is always envious of people who live in the present and are sustained by a sense of spontaneity. Even dogs have that capacity: they're always wanting to participate in something, and I don't often have that element in me.
We are a continuum. Just as we reach back to our ancestors for our fundamental values, so we, as guardians of that legacy, must reach ahead to our children and their children. And we do so with a sense of sacredness in that reaching.
National film industries tend to move in cycles. In Australia right now, we're on a high, a feeling of potential, which as yet shows no sign of flagging. But the word 'industry' is misleading. A small national cinema has no industry in the Hollywood ...
The eye solicited alone makes the ear impatient, the ear solicited alone makes the eye impatient. Use these impatiences. Power of the cinematographer who appeals to the two senses in a governable way. Against the tactics of speed, of noise, set tacti...
I say it is indispensable to look ahead of and behind oneself in the present. If there is such a thing as tradition, and I believe there is, it can only exist in the sense of the most profound movements of culture.
But bid life seize the present? It lives less in the present Than in the future always, And less in both together Than in the past. The present Is too much for the senses, Too crowding, too confusing— Too present to imagine.
Social media has given companies access to unprecedented amounts of information on client behavior and preferences - so-called Big Data. But making sense of it all and turning it into actionable policy has been elusive.
But I quite like that the public has a very short attention span. If I haven't been on telly for a little bit, I can sense it. People don't take as much notice of you, it's really quite palpable.
You look at John Travolta in 'Pulp Fiction', you look at Donnie Wahlberg in 'The Sixth Sense.' People have liens against them in crazy ways and the audience is always forgiving - if you prove it.
We can never know the impact a simple smile has on another. Smiling is one of the easiest things we can do. Is there a simpler, more effortless way to give everyone you meet a moment of joy, even a sense of worth?
