I can't tell you any more than any other writer can tell you why they write, and I don't know what my influences are.
Every child deserves to see themselves in stories they can enjoy, but it isn't the place of white people to decide how and why those stories are created and marketed.
This band - because this is myself on electric and acoustic guitars - we've done three tours together now and I really, really like it which is why I did the DVD as well.
I had to tell about my colonic, which expresses the fact why I'm so neat today as opposed to a few years ago. I never knew that the weight made that much difference.
The only thing standing between you and your goal is the bullshit story you keep telling yourself as to why you can't achieve it.
Part of why I started a band was due to feelings of shyness and social ineptitude. I saw it as some way of being able to interact with people from a safe distance.
The first question I ask myself when something doesn't seem to be beautiful is why do I think it's not beautiful. And very shortly you discover that there is no reason.
all that it takes is one smile to attract someone, but it takes one brain to explain to one heart why they both can fall in love with one person.
It's easy to dismiss design - to relegate it to mere ornament, the prettifying of places and objects to disguise their banality. But that is a serious misunderstanding of what design is and why it matters - especially now.
Why is it no one sent me yet one perfect limousine, do you suppose? Ah no, it's always just my luck to get one perfect rose.
I don't know why there hasn't been a 'Spy Kids' cartoon. You have to bring that up to Robert Rodriguez and see what he has to say. That would be an interesting thing to do with this series.
I've never gone on Facebook and am not sure I understand it. The same goes for Twitter. I have someone sending tweets and pretending to be me, but I don't know why.
I can't think why fancy religions should have such a ghastly effect on one's grammar. It's a kind of intellectual rot that sets in, I'm afraid.
There are professional negotiators working for the writers and the actors, but basically you've got the writers and actors negotiating against businessmen. That's why you get rhetoric.
There would always be a vote. There were always conflicts and arguments for years and years - that's why we're not together anymore. But there was always a vote. It was always two out of three.
Now, drama is quite useful at helping us to understand what our position is and, conversely, we might then understand why our theatre is being destroyed.
In high school, I would drive my teachers batty. They would make a statement, and I would say, 'Why is that?' They didn't want to be questioned.
Never knew what a friendship was, Never knew how to really love, You can't be what I need you to, & I don't know why I fuck with you
The challenge that I set for myself was to see whether or not plot and structure could coexist, and why it was that we had to always privilege one above the other.
Every decision is liberating, even if it leads to disaster. Otherwise, why do so many people walk upright and with open eyes into their misfortune?
Slow down and enjoy life. It's not only the scenery you miss by going too fast - you also miss the sense of where you are going and why.
