When you become a parent, or a teacher, you turn into a manager of this whole system. You become the person controlling the bubble of innocence around a child, regulating it.
Capitalist production, therefore, develops technology, and the combining together of various processes into a social whole, only by sapping the original sources of all wealth - the soil and the labourer.
I don't think I'm an instantaneous act the whole world will love in one second - but that's how I've felt about bands I love.
I'm becoming more and more confident and am falling more and more in love with the whole world of comedy, and I think that's something that I really want to explore a lot more.
I'd love to go back to Europe in the '20s and '30s, for the beginning of the Psychoanalytic Movement, and Freud and Jung, and all that was going on with discoveries in quantum physics. The whole nature of reality was changing and being challenged.
Focus on eating real, whole, natural foods. As I love to say, if you can pick it, pluck it, milk it, or shoot it, you can eat it!
To be appreciated by a whole 'nother generation of fans, all of a sudden discovering you, it's kind of what I did with the classic bands I love - the ones that influenced me.
I love film and I love sitcoms, and I was one of those kids that would just go to the movies on the weekend and spend my whole weekend watching all of the movies.
But times changed, and I changed, and I didn't feel that way anymore. The Beatles were happening. I think that was probably the main thing. The Beatles just changed the whole world of music.
Plus, you know, when I was young, there was a lot of respect for clowning in rock music - look at Little Richard. It was a part of the whole thing, and I always also believed that it released the audience.
I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.
When you think of Napster, you think of music. But the first thing that struck me was that this was an important case not only for the music industry but for the whole Internet.
Music can be used against us as much as it can be used for us. Muzak can put a whole nation to sleep, whereas a lullaby is intended to put a child to sleep in a sweet way.
I'm not interested in forcing my music on people, and that's what the whole music industry nowadays is based on is forcing stations to play it, forcing people to listen to it.
I write my songs and just play them, so there are not a whole lot of fireworks. As long as the music comes first, it's OK to have some fireworks. But not the other way around.
I'm excited to be part of a movement that's progressing country music. There's always gonna be people saying, 'It ain't country anymore,' but I don't get into that whole deal.
My favorite moment of the whole thing was when John Belushi suggested that I get a hold of all the blues records I could so I could research the music.
The whole world has changed much since the '80's. In the united States, rap music and country music dominate radio and that certainly wasn't the case in the early '80's.
I've pretty much run the circle of labels and dealing with that whole kind of battle, because you're the one creating the music, but you're not the final say. That's always been hard.
I think this whole division between the genres has more to do with marketing than anything else. It's terrible for the culture of music.
The whole story of the comfort women, the system of forced sexual slavery, the medical experiments of Unit 731, is not something that is in the US psyche. That is changing because many books are coming out.
