And the most important thing - apart from telling a good, believable story, and being a true character - is to be someone the audience will care about, even if you're playing a murderer or rapist.
The most pressing ethical question is to make sure that everything you do from a scientific standpoint is done for the ultimate good and positive issue for the people that you're caring about.
Every good writer or filmmaker has something eating at them, right? That they can't quite get off their back . And so your job is to make your audience care about your obsessions.
Most of us entered journalism and joined 'news organizations' because we care about the greater good. We strive to comfort the afflicted and afflict the comfortable.
As long as I can make an audience feel something, I don't care whether it's a good thing or bad thing, just to feel something is important to me.
We watch so many TV shows and movies about jaded or corrupt policemen, we forget people join the police force to do good, and they really care about that.
I'm not very good at story. In fact, compared to character and language, I barely care about story at all.
Creating problems is easy. We do it all the time. Finding solutions, ones that last and produce good results, requires guts and care.
And the truth is I've always taken very good care of my skin, and always, always worn make-up.
I don't care what I do - act, stand-up, write, direct - it doesn't matter as long as I'm being creative and it's good work.
I'm particularly fortunate to be in a position where I can bring my child to work and be able to get good child care. Not a lot of women have that.
I love writing for young adults because they are such a wonderful audience, they are good readers, and they care about the books they read.
I don't care how someone lives or how good their spoken English is. I do all of my interviews on Skype text chat - all that matters is their work.
My accent was horrible. In Mexico, nobody says, 'You speak English with a good accent.' You either speak English, or you don't: As long as you can communicate, no one cares.
I'm very careful about how I portray violence in my films. I do believe that violence, especially violent video games, are not a good thing for young kids.
I was looking for what was coming from a man's soul and a man's conviction. I didn't care about his past. If it was innate and natural and felt good to him and it communicated.
You do small movies because the script is good and because you believe in the director. You don't care about the money. And when they disappear, it's a pity.
The care of human life and happiness, and not their destruction, is the first and only object of good government.
The problem with leaderless uprisings taking over is that you don't always know what you get at the other end. If you are not careful you could replace a bad government with one much worse!
We have a Father, and He cares about our internal world - issues of motive, issues of fear, issues of validation.
It's funny, I used to say on 'That 70's Show', you could really put us in any decade, and it was about the people and the characters and that we cared about each other.
