Think of the great poetry, the music and dance and ritual that spring forth from our aspiring to a life beyond death. Maybe these things are justification enough for our hopes and dreams, although I wouldn't say that to a dying man.
The power of the dead is that we think they see us all the time. The dead have a presence. Is there a level of energy composed solely of the dead? They are also in the ground, of course, asleep and crumbling. Perhaps we are what they dream.
The wacky thing about those bad guys is that you can't count on them to be obvious. They forget to wax their mustaches and goatees, leave their horns at home, send their black hats to the dry cleaner's. They're funny like that.
Do you know that I love now to recall and visit at certain dates the places where I was once happy in my own way? I love to build up my present in harmony with the irrevocable past...
That was the thing about words, they were clear and specific--chair, eye, stone--but when you talked about feelings, words were too stiff, they were this and not that, they couldn't include all the meanings. In defining, they always left something ou...
The cake had a trick candle that wouldn't go out, so I didn't get my wish. Which was just that it would always be like this, that my life could be a party just for me.
Do you ever want to go home?' I asked Paul. He brushed an ash from my face. 'It's the century of the displaced person,' he said. 'You can never go home.
I hated labels anyway. People didn't fit in slots--prostitute, housewife, saint--like sorting the mail. We were so mutable, fluid with fear and desire, ideals and angles, changeable as water.
What’s real is always worth it,' she explained to me. 'Look how it’s made.' She showed me the shoulders, the way they were knit together with a separate yoke instead of a seam. 'You’ll wear it your whole life.
I thought of my mother as Queen Christina, cool and sad, eyes trained on some distant horizon. That was where she belonged, in furs and palaces of rare treasures, fireplaces large enough to roast a reindeer, ships of Swedish maple.
Her fingers moved among barnacles and mussels, blue-black, sharp-edged. Neon red starfish were limp Dalis on the rocks, surrounded by bouquets of stinging anemones and purple bursts of spiny sea urchins.
Too many codeine pills, Too many nights of cold chills Too many weak-handed deals Too many lives, the addict steals
I pawned the remote to my misery, trading it in for liquor that was cheap; screwdrivers for my vitamin c, and a little bloodstream to my IV, helping to soothe my lunacy
It's like that quote: 'If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country.' The choice between a duty or a principle, you know?
Not a word had dropped from my lips, or from hers, that could unsettle either of us—and yet the same unacknowledged sense of embarrassment made us shrink alike from meeting one another alone
If ever sorrow and suffering set their profaning marks on the youth and beauty of Miss Fairlie’s face, then, and then only, Anne Catherick and she would be the twin-sisters of chance resemblance, the living reflections of one another.
Dear Miranda Silver, There are extra floors, with lots of people in them. They are looking people. They look at you, and they never move. We do not like them. We do not like this house, and we are glad to be going away. This is the end of our letter.
I dread the beginning of her new life more than words can tell, but I see some hope for her if she travels - none if she remains at home.
I say what other people only think, and when all the rest of the world is in a conspiracy to accept the mask for the true face, mine is the rash hand that tears off the plump pasteboard, and shows the bare bones beneath.
For some stories, it's easy. The moral of 'The Three Bears,' for instance, is "Never break into someone else's house.' The moral of 'Snow White' is 'Never eat apples.' The moral of World War I is 'Never assassinate Archduke Ferdinand.
The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stu...