I have only ever read one book in my life, and that is White Fang. It's so frightfully good I've never bothered to read another.
The social disease of political correctness has entered daily life, inverting good to bad and attempting to rewrite proud histories as an imposition of white supremacy for which we all should make contrition.
I like stories of the classic hero, of good versus evil, the ones in which the good guys wear white and the bad guys wear black... and I love a good sword fight.
Kids are our future, and we hope baseball has given them some idea of what it is to live together and how we can get along, whether you be black or white.
Real leaders have to live a paradoxical life, where they must break the rules in order to maintain them. If your expectations are high, you're setting yourself up for disillusionment. The land of governance is paved with gray streets, not black or wh...
My wife says I spend my life trying to teach white folks. I'm not so sure I'm proud of it, but she's right.
I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.
All the American women had purple noses and gray lips and their faces were chalk white from terrible powder. I recognized that the United States could be my life's work.
And it is because a series of elements in Spanish life which operate today the same way as they did in the times of Blanco White made obvious my relationship with him, based on a similarity in Spain's condition.
All the other books ask, 'What's it like?' What was World War II like for the young kid at Normandy, or what is work like for a woman having a job for the first time in her life? What's it like to be black or white?
There's a moment of recognition. It's that white-light kind of stuff that just 'works.' I love that. And you know it when it happens, whether it's a movie, music, a building, a book.
I did 'Are We There Yet?' because I wanted to do a movie for my fans' kids. Black kids don't really see movies on this budget for them, starring them. And there's so many white kids that love that movie.
I love the sea's sounds and the way it reflects the sky. The colours that shimmer across its surface are unbelievable. This, combined with the colour of the water over white sand, surprises me every time.
As far as I'm concerned, and this is a big theme of mine, I'm not interested in white people loving me. It's an unrealistic expectation. Black people don't love anybody but themselves.
It's too cold outside For angels to fly An angel will die Covered in white Closed eye And hoping for a better life This time, we'll fade out tonight Straight down the line
The white man's blood and bones have begotten this bronze race, and bequeathed to it in some degree qualities, tendencies, capabilities, such as are the inheritance of the highest order of human animals.
It is the custom on the stage in all good, murderous melodramas, to present the tragic and the comic scenes in as regular alternation as the layers of red and white in a side of streaky, well-cured bacon.
I worked on a farm. Played ball and loafed along the fishing and swimming holes of the White River, and my boyhood was not a lot different from that of other youngsters.
'Star Trek' scared me a lot more than 'White Jazz.' It terrified me, really. Because of the scale, the responsibility, the fact that it was this iconic character. It was the bigger challenge, so I had to take it.
I had intended to have gone into Africa incognito. But the fact that a white man, even an American, was about to enter Africa was soon known all over Zanzibar.
No matter how strong you are, you cannot hold open the jaws of a great-white shark with your bare hands... that can do your brain.
