When I give a man an office, I watch him carefully to see whether he is swelling or growing.
Every intelligent person, whether he's an artist or not - a mathematician, a doctor, a scientist - possesses a poetic way of seeing and describing the world.
If 'New Girl' had been a movie, I don't know whether I would have been given the opportunity to do it.
I just find that there's something about looking back on interviews, whether for purposes of remembering what I said about something or if it's for posterity when I'm 75.
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.
I always work the same way, starting from the beginning of the weekend, so I know at the beginning of the race, from all that I have analysed during the practice, whether I will win the race or not.
Whether you're on TV or on the stage, you have to work hard to stay fresh, real, and full of energy. You can't settle back. You always have to stay on your toes.
I think variety is the spice of sticking with an exercise routine, whether it's getting a dance tape one day, or getting a tape with those stretchy things to work with resistance on a different day.
When you're making something big, whether it's long-form fiction or a big piece of software, whatever that is, you're having a very intimate and extended conversation with the work materials themselves.
You should just enjoy it, but as soon as you decide that it is going to be your career, no matter whether you want to be a doctor or an architect or anything else, you need to work 5 hours a day.
It makes no difference whether a work is naturalistic or abstract; every visual expression follows the same fundamental laws.
I work just as hard and have just as much fun whether in a 50-seat house or in a 1000-seat house. It's a luxury to be in a tiny space every once in a while and a rush to be on a giant stage every once in a while.
The committee's work is not about whether or how we should pay reparations. That was never the intent nor will the payment of reparations be the outcome. This is an effort designed to involve the campus community in a discovery of the meaning of our ...
I am very driven. I work really hard, whether it's acting or my charity or even poker. When I focus on something I give it my all.
My goal as an actor was to work - to be a working actor, whether it was in theater, and, well, I didn't even consider film and television when I was in New York, but what came along, came along.
My approach to the work is the same, whether I had the lead or a supporting role. I consider myself a character actor in the true sense of the word. Unless I'm doing my autobiography, I'm playing a character.
I think a beautiful quality that's a biological, hormonal imperative for women, whether they have children or not, is that we're built to be empathic. For me, it was finally being maternal in an appropriate way instead of trying to mommy ex-boyfriend...
I'm not an elected official who puts a finger in the wind to see what the majority thinks; I represent women, whether they're popular or not.
I think older women's voices are the most hated voices in the world - whether it's because people are reminded of their mothers or what, I don't know.
We're still expected to color within the lines of accepted femininity, and women who step out of those lines are usually attacked, whether verbally or physically.
I like characters who are larger-than-life, whether life-loving women or the artist or guru who grabs everything. But I don't live among people like that.