Journeys, like artists, are born and not made. A thousand differing circumstances contribute to them, few of them willed or determined by the will-whatever we may think.
Although you should never mention your premise in the dialogue of your play, the audience must know what the message is. And whatever it is, you must prove it.
Everybody has their opinion on what's 'real,' and what's they choose to listen to and their personal preference. Whether they're 2 years old or 200 years old. And people can listen to whatever they want.
When you make music or write or create, it's really your job to have mind-blowing, irresponsible, condomless sex with whatever idea it is you're writing about at the time.
The image that the public gets is whatever they perceive it to be. Everybody has an opinion, everybody has their own vision, so I don't know what my public image is. I have no idea.
My job is to provide the president with the richest possible consideration, so that he knows what is at stake in whatever decision he makes.
I don't shy from controversy. I'm telling stories, and I'll tell whatever story seems like it wants to be told.
Whatever you hold onto that you want to do, and that other people tell you you are foolish to want to do - don't give up.
No one can you feel anything. Emotions are whatever choose to feel. It might be an instantaneous decision - to choose to be happy or sad or offended or hurt - but it's still a decision.
Meditation doesn't have to be complicated. What I do is about as simple as you can get. You could just count the beads, one, two, three, with your eyes closed or open, whatever makes you happy.
Richard Donner is one of the few directors in Hollywood that can make whatever movie he wants exactly the way he wants it. No one will stop him.
I've learned the lesson that when you're in the middle of something that seems overwhelming, or you're in a bad situation and it seems like it's the end of the world or whatever, then you learn that it's not.
Our breath gets shallow and ineffective when we are in a stressed state. I advocate stopping whatever you're doing for a couple of minutes five times a day, closing your eyes and taking deep breaths.
Whatever kind of movie it is, you're going to be more into it when you care more about the drama, or you'll have a better laugh if you feel like you know the people better.
I mean whatever I do it's important that I put my stamp on it and keep it in my world, whether I'm doing a dance track or something like the Russian album for example.
In an Indian kitchen, the focus is on getting the job or dish done right in whatever way possible; however, in a French kitchen there's a clear hierarchy, and a chef has to know where their skills are and not go beyond them.
With animation, because you can draw anything and do anything and have the characters do whatever you want, the tendency is to be very loose with the boundaries and the rules.
If someone says that he can think or talk about quantum physics without becoming dizzy, that shows only that he has not understood anything whatever about it.
What marvel things are waiting for us in the future? What horrible things are waiting for us? Whatever is waiting for us, we always want to be in the future, ready to celebrate and ready to fight!
I've always been a guy that's liked a crowd and having people around cheering for me. I'm not a guy that will keep his head down or respond negatively to boos or whatever.
If the game designer produces more content than he can consume per month, some fraction of the people will say more quests, more tests, more challenges, more whatever, and they will be compelled by it.
