Sexual, racial, gender violence and other forms of discrimination and violence in a culture cannot be eliminated without changing culture.
I was immediately smitten with an attraction to this culture, not in the sense of high culture but of the basic way people behaved towards one another.
I think it was that we were really seasoned musicians. We had serious roots that spanned different cultures, obviously the blues.
I'm trying to trick people into thinking about the unthinkable by using pop culture images.
I'm interested in visual vocabulary, like Warhol was interested in that vocabulary of advertisements and television and pop culture.
I was in fact pretty much - by the larger culture, by the local culture, by people around me, by people on TV - encouraged to imagine women as something slightly inferior to men.
The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined.
I love the idea of the amateur - that's what popular culture is all about. But what the Internet's doing is professionalizing everyone's amateuristic impulses.
The biblical story is in dialogue with the other stories of its time. And if the Bible can be in dialogue with other cultures, why can't the people who are descendants of the Bible be in dialogue with other cultures?
Perhaps it is time to debate culture. The common story is that in 'real' African culture, before it was tainted by the West, gender roles were rigid and women were contentedly oppressed.
Law is downstream from culture. By the time you make a law about something, you're reacting, not acting. I'd rather shape the culture.
I love the Italian culture - it's a beautiful culture. I love the language, the Italian people, their music, their attitudes... I just love it! Sometimes I think I'm an Italian trapped in a Spanish woman's body.
I'm absolutely obsessed with The Jesus And Mary Chain and Patti Smith, but I'm a massive pop fan. I love pop culture, It's a total reflection of the zeitgeist.
Steampunk, the repurposing of Victorian culture and technology for contemporary fun and profit, is so ubiquitous - in media, books, fashion, music, cosplay, and maker culture - that we tend to imagine its superficial aspects are all that define it.
We're into this barrage of pop culture - you know, TV, movies, the Internet. We become creatures that we've made up, made of certain different flotsam from pop culture and certain different personas that are in style.
When I was in Holland, the idea was, all cultures are equal and all are to be preserved. My idea was, no, all humans are equal, but not all cultures are equal.
Postman is a media analyst and his theory is that television doesn't influence our culture, but that it is our culture and the presidency and anything that relies on television.
Joining a sub-culture, any sub-culture, for whatever reason, is as I see it never a legitimate self-expression. It is always a result of sheep mentality; a wish to belong somewhere.
Cultural industries will be the next engine for growth after real estate, and Wanda will make cultural industries our long-term focus.
Chinese people today have strong demand for culture, but we need effective supply, and China needs innovative cultural products.
There's nothing in Chinese culture that is an equivalent of the geisha. It's so different, so special to Japan.
