'Culture' is a finite segment of the meaningless infinity of the world process, a segment on which human beings confer meaning and significance.
I can represent my culture while helping not only the Chinese-American community, but also the community at large.
It used to be thought that our genes were historically immutable and that it was not possible to imagine a conversation between culture and genetics.
Have you heard a single national figure tell you all of the crises of the recent past are not economic, they're cultural?
In Australian culture, people are just more laid back, people aren't as serious, they just take their time with things. It's just like, whatever, if I don't get it done I don't get it done.
Monsters almost always are culture's way of working out their fears and are thus inherently incredibly interesting and powerful.
What matters is this: Being fearless of failure arms you to break the rules. In doing so, you may change the culture and just possibly, for a moment, change life itself.
As you get older, you realize just figuring out how to be nice to the people in your personal sphere is almost more challenging than trying to change the bigger culture.
I think the most interesting parts of human experience might be the sparks that come from that sort of chipping flint of cultures rubbing against each other.
Black women, whose experience is unique, are seldom recognized as a particular social-cultural entity and are seldom thought to be important enough for serious scholarly consideration.
Even though I wanted to experience all these things I was interested in, I couldn't get them. So I had to think critically and culturally about what was available.
You have to think about why you're asking an audience to come to the theater. It's not that they should come because it's good for them, because it's the vegetables that they should eat and the culture shot that they should get... It's about experien...
There are aspects of Asian culture in my work, but it's really rooted in an American experience - transcendentalism, '60s counterculture, punk rock.
The way we make sense of a realistic text is through the same broad ideological frame as the way we make sense of our social experience or rather, the way we are made sense of by the discourses of our culture.
Cross cultural experience teaches us not simply that people have different beliefs, but that people seek meaning and understand themselves in some sense as members of a cosmos ruled by God.
When you go visiting countries, you start reading the history of the place and you start getting into the culture, and then you have to leave. In my experience, all countries have hidden treasures.
The main experience, I think, is that we have managed: people moving to Norway has made Norway richer, economically, but also our culture has become more rich in many ways.
I've always enjoyed traveling and having experience with different cultures and different people. But it's also a wonderful thing to be able to benefit and enable research, not only in our country but around the world.
I always identified with that feeling of being an underdog. So I always was looking to connect with and meet people from other cultures, to experience people living a different life that I am.
I think living in our culture right now, there's a universal experience where we feel like we become what we do. Sometimes that's rewarding and sometimes that creates an existential crisis.
Whether born from experience or inherent physiological or cultural differences, our gender and national origins may and will make a difference in our judging.
