The youth are very important to me, they're the next generation, but I want to instill in kids, even in playing, that it's never too late and there's no right or wrong way to do anything.
I like being in the back. I've done that for so many years, I'm really comfortable doing it. I don't like the solo thing as much as I like playing drums behind someone.
When do you know you're insane? And when do you known you're sane? I think I treat a fine line between the two. It's a battle to function, but somehow I manage.
This is what I am. I have periods of enormous self-destructive depression, where I go completely off my trolley and lose all sight of reality and reason.
But I'm able to just keep going, and that's the challenge. It's the next song. And then just enjoying the shows and people who come out to the shows. It's pretty organic, really.
People can't stay out of their cars. I do think we have a real problem staying out of our automobiles. We have a real dependency on them, and it may be for more than just transportation.
As you get out and try to do things, you always find that in order to make an idea a reality, it goes through some changes. It doesn't always come out exactly like you envisioned it.
Islam's borders are bloody and so are its innards. The fundamental problem for the West is not Islamic fundamentalism. It is Islam, a different civilisation whose people are convinced of the superiority of their culture and are obsessed with the infe...
The long conflict between Israel and Palestine has, for better or worse, become the world's conflict. It permanently destabilizes the Middle East, blocks the settlement of urgent crises, and intensifies looming threats to the West.
I was 17 years old and in my first band, and we played at the university. I was kind of a gawky, unpopular teenager and there was about 400 people smiling and dancing to what we were doing.
The darker and the sadder the song, the happier it makes me feel. It's just this, ah. I'm in the moment. I'm part of this beautiful world, and it's fantastic, and I don't really know how else to describe it.
What I really resent most about people sticking labels on you is that it cuts off all the other elements of what you are because it can only deal with black and white; the cartoon.
I've just built a studio in my mama's old bedroom, which I thought was fitting; she died last year. We've recorded nine songs recorded in there already; we're sort of just chipping away.
After getting driven into the ground by the policies of the Bush administration, the economy is creeping up. It's doing that because people are sticking their shoulders to the wheel. Community banks are doing a lot of lending to small businesses and ...
I find that the very things that I get criticized for, which is usually being different and just doing my own thing and just being original, is the very thing that's making me successful.
I feel like I'm on top of the world. Honestly, I feel like I've climbed a very giant mountain, and I'm just standing right on top with my arms wide open and breathing rarified air.
When I put out a record or single I don't allow myself to set up expectations like, 'This song must be a number one hit. Its got to sell X amount of records.'
I went to school for about 2 years on a technical course, and I learned a lot. I learned about air mixture ratios and all the stuff; I learned how to draw blood.
The word we have in Korea for K-Pop is 'Gaio.' And I guess it's a huge umbrella term. Basically it's like saying Coldplay and Kanye West, or Eminem and Celine Dion, are the same genre.
I was unknown because I came to Washington from the West. I started covering Watergate. Immodestly, I'd say I did it pretty well, in part because it was hard to go wrong.
It's been over 15 years since I toured... over 12 years since I did any recording under my own name. I never really intended to take that long of a hiatus.
