I still do find it very difficult in the West to connect to this politeness of smiling, not saying how you're thinking or not saying how you really feel.
Getting comments like that from even the young people at the shows who probably aren't singers, the girls who just tell me that I'm an inspiration to them, for one reason or another.
I am a fan of today's sound as long as we don't get too slick, and yet I am very reverent of my roots.
Jim: By the way Artie. How are you going to escape? Artie: Oh, the usual way. Guile.. cunning...trickery. Wild Wild West Season 3 Night of the Arrow
I am a conservative type of person, so sometimes when I'm chilling with myself, people always come ask me, 'What's wrong with you? What are you wondering about?'
My first encounter with a Kelly was not on a musical scale. It was from primary school. Dave and I went to primary school together and we were like boy scouts.
People call me Wayne Wonder and it also goes back to football because I could do mad skills with the ball and people would marvel and wonder how I could do it.
I was a bit of a handful when I was a kid because I was quite hyperactive. Even in the house my mum used to put me in my pram because I was so full-on.
I'd call myself the mediator. I kind of just float around and do my own thing. I'm kind of chilled out, laid back.
This dragonfly came up to me. He was hovering right in front of my face, and I was really examining him, thinking, How does he see me? I became enlightened.
Proud about my father? What am I most proud of? I think I'm proud of the legacy he left I think is what it is. He has left us so much.
I'm digging Batman. I'm digging that balance, that duality. He's always on the edge and trying to balance himself within the rules of what's lawful and justice, and being Bruce Wayne and being Batman.
My father, my Rastafari culture, has a tight link to the Jewish culture. We have a strong connection from when I was a young boy and read the Bible, the Old Testament.
Screaming, it's not me. I tried it before! Action is more my thing. Not talking. It's hard for me to have word fights, fighting with words. I'd rather just listen.
The more I grow as an artist, the more I think I become like my father as an artist. The more I diversify, the more I become like my father, which is true to who he was.
I don't have lights, I don't have assistants, I just go and meet somebody and take a photograph. That's really basic, and that's how I used to work when I was 17 or 18 in Holland.
Each person makes their own choice, but my spirit is meant to stay in Iran, especially with the work that I do, and with the emotional connection I have with the country - with all its difficulties, this is why I stay.
I knew that if I wanted to stop being a pushover I had to get comfortable with small rejections myself. That took some work, but because of it I can now say 'no' to other people with a clear conscience.
The Phil Spector that I would meet has always been a nice, quiet, little guy who's very serious about his work; obviously you can tell that because each and everything he's ever done has always been charted.
But we wanted to work in a way we never had, which was write everything together. We had to face each other in the same creative room, which gets tougher as you get older, because you don't want to be confrontational.
But the West did not last long enough. Its folk myths and heroes became stage properties of Hollywood before the poets had begun to get to work on them.