I'm still trying to make it. I'm still trying to get this over and do it and hopefully leave some kind of a mark on the course of American music, particularly in the tradition of what you might call the singer-songwriter.
For me, my number one priority always has to be the music, and I'm going to work school around my music - not music around my school.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
After that I didn't listen to music as much because '70s music just wasn't... I remember all the songs, but it wasn't because I was into them, you know what I mean?
I want my music to be everywhere, I want it to be heard. I want to give people an opportunity to enjoy my music, and maybe even hear about this beautiful truth that's in it.
I wanted my new release 'Get Back Up' to benefit Haiti in their tragedy and I am blessed to use my music to help as your purchase becomes our gift.
I don't like the word 'urban' because I think it's a bit of a generalisation and they use it to class music, but I don't think it's a word that necessarily classes music.
From my time in 'King Crimson,' I'd describe a Progressive band as one that keeps trying to break musical barriers, and keeps trying to do new music.
I still have a passion for the music, which is such a beautiful thing. I still wake up in the middle of the night out of a dream and have a melody in my head, and run to my piano.
I worked as a production assistant on a couple of films, and finally, I got a job at an animation studio as an editor. After that, work begat work. I got into directing music videos and commercials.
I really like Alan Jackson, in Country Music. I think he's really very, very talented along with George Jones, and Merle Haggard, the same old favorites.
This quality, I mean Geoffrey was with me, was very easy doing - he loved me very much, I loved him very much, and we understood each other so well that it was a pleasure to make music.
With Geoffrey, it was the first time we did music together, we understood that everything could be well, and without any problem. And we didn't need to rehearse too much.
Every writer writes in different ways, and so some write the music first, while others write the lyrics first, and some write while they are doing other things, and it is just nice to see how other writers are writing.
Music for me is an emotional thing and it really does make me happy. It's not a tool for me to get fame or see my face in the papers or anything like that. It's about the fact that I really do enjoy it.
I've never really been schooled in music theory. I'm a guitar player, and I attack the guitar in a certain way that it not fully unique to me, but it's more unique that some other people.
Most music that you hear is in synch with itself. We were experimenting with the music falling out of synch with itself and even though it is out of synch you mind can still understand what it is meant to be doing.
I know that the nice shines I have on is going to pass. The nice cars will pass. All that will stay is the music and the work. That's where I get the inspiration to help people out and work.
I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.
My big influences are Joni Mitchell, and a lot of classical and Indian music, as well as Nina Simone and the personal blues and jazz of Billie Holiday. Other influences for me include Bjork, Nick Drake, and Sufjan Stevens.
Hebrew is my first language, so it's really the most personal and the most simple. When I write in Hebrew, I don't look for sophistication in music; it's just pure emotion that comes out.
