That's why I believe that we must never fail to affirm that we are indeed one nation under God.
I live on the Upper West Side of Manhattan. I live in a 950-square-foot apartment with one bathroom and two sons.
Despite whatever commercial kind of success you might have or radio success, I don't want to do something just to get as many people as possible to listen.
You know, you want everything you do, obviously, to be a success critically and commercially. But what you find out as you go along is that everything won't.
You take all the things that frighten you, and when you can get them to work for you all of sudden people are calling you a success.
Part of my success with urban bachata is reinventing yourself as an artist and continuing to give people different kind of fusions, mixing up the elements and concepts without changing the beat.
With every record I put out, I got a bit more success, a bigger following in cities I would play in, and occasionally a bit of radio play.
I was brought up west southwest coast of Scotland and my mother and father had a music shop, and so I was surrounded by pianos and drums and guitars, and music, of course.
I don't think feminism is about the exclusion of men but their inclusion... we must face and address those issues, especially to include younger men and boys.
I grew up in a very masculine environment. So I was around a lot of men, my brothers and their friends. There was just a lot of guys around.
I've played so many historical characters because most horrible dictators are short, fat, middle-aged men.
I've always said to my men friends, If you really care for me, darling, you will give me territory. Give me land, give me land.
My first encounter with Buddhist dharma would be in my early 20s. Like most young men, I was not particularly happy.
It's hard for a man to live with a successful woman - they seem to resent you so much. Very few men are generous enough to accept success in their women.
The Stones can get out there and do it till they're old men. But certain groups are sad-looking to me.
I am not a puppet. I was not made by the West to go to the West or to any other country.
I recommend that the Statue of Liberty be supplemented by a Statue of Responsibility on the west coast.
I create little challenges for myself, like, 'Okay, whatever you do in this song, you've got to somehow work in Greek Cypriots,' or something like that.
Due to my work as a musician, songwriter, recording artist and author, hundreds of people stream in and out of my basement studio to help me with my creative projects.
How did George Bensen cut 'In Your Eyes?' How did I work with the Backstreet Boys? It all comes back to 'Sometimes When We Touch.'
I don't think I represent all things dubstep. I just like clubbing, so those are the sounds I've chosen to work with.
