Jazz came out of New Orleans, and that was the forerunner of everything. You mix jazz with European rhythms, and that's rock n' roll, really. You can make the argument that it all started on the streets of New Orleans with the jazz funerals.
I started doing all kinds of weird stuff on the guitar, which became part of my playing. I started doing harmonics and tapping on the guitar and pulling off strings and doing all this weird stuff that no one had ever done before.
As citizens we have to be more thoughtful and more educated and more informed. I turn on the TV and I see these grown people screaming at each other, and I think, well, if we don't get our civility back, we're in trouble.
You really do learn every day with every dog; they are all so unique and different. But if you're patient and you understand where they're coming from, and if you are consistent, they will be fine. They teach you to give your full attention.
Yes, I always say that we're a National League band. What I mean is, if you play an instrument, you have to sing. So I always call our drummer up. Even the drummer has to take a turn on the microphone.
I'm very influenced by landscapes, not so much the way places look as the way the names sound. In this country we've got so many cultures, and the place names - the Spanish names and the Indian names, which are so incredibly musical.
I think a song that's got something to say. I'm not much on gimmicks. I never have been because they don't last. But I like a song that tells a story and has some meat to it, you know, that means something.
Oh, yeah. I know Dizzy. For years he's been my buddy way, way, way back. Dizzy is one of the most astute guys and one of the most learned guys in the world and knows exactly what he's doing musically.
I always loved reading. I always was the spelling bee champion. I always loved words. I always wanted to know what they meant, why you used them, who first said them. I was always interested in that.
I've always gone to see all kinds of shows and stole what I could, as we all do. We see an artist and hear a song and think, 'I bet I could sing that song. I'll put that in my show.'
I'd actually been making my living as an organist with bands since I was probably 15 or 16 years old, and then as a senior in high school I put together a jazz quintet called The Bobby Mack Jazz Quintet.
If I'm listening to country, it's Hank Williams, George Jones, Merle Haggard and stuff like that. If people out there don't take that stuff seriously, well, they just haven't listened to it and don't know what they're talking about.
I think the Civil Rights Movement changed that trajectory for me. The first thing I did was leave school. I was suspended for my participation in Movement demonstrations in my hometown, December, 1961.
In fact when Sweet Honey was ten years old it was too big for me to run, and I knew it, but I ran it for another thirteen years because I couldn't convince other people to really do it. And this year, I'm not running it.
I've had the luxury of owning my own studio, 24 analogue, 48 digital, endless effects, endless hardcore gear, that I don't have to rent, I don't get stuck with the bills, it's all mine.
In a job where you're on a computer all day, and we cater lunch and we put snacks in the kitchen, well, we all started gaining weight, even though we try to pick healthy stuff, but inevitably you find the cashews.
I basically sat down for a month, with all the Sun stuff I could find and just picked out my favorites. I didn't think that they were indicative of '54 to '57, although I tried to stay within that period.
The jazz chord substitutions in a country song... that was another thing that bent people's ears. I guess that my favorites are the unique ones. It's not how fast you play. It's that unique blending of different stuff I'm most proud of.
When Marcus Garvey spoke about self-reliance, he wasn't only talking about people of colour. It's like self-reliance in general, for anyone. Just keep moving and moving within the right direction, and everything will be all right.
My father used to tape 'Top of the Pops' for me every Sunday, and I would sit in my bedroom, write down the lyrics of all of my favourite songs, and sing along. I was always singing in my bedroom with a hairbrush.
When I did the video for 'Holding Out For A Hero,' we filmed that on top of the Grand Canyon, and that was quite frightening. I was close to the edge, and there was a helicopter hovering about, creating a lot of wind, and I was nervous I was going to...
