I could go crazy on a night like tonight When summer's beginning to give up her fight And every thought's a possiblility And the voices are heard but nothing is seen Why do you spend this time with me Maybe an equal mystery
When I had a child, everyone was telling me that I was going to see the world through her eyes, and everything was going to get this nice gloss to it. I kept waiting for that to happen, and thought there was a real problem with me that it wasn't.
I just have this deep kind of connection to reality of being like... in a way, I feel like a dock worker. I want to stay in connection with my dock-worker side, 'cause that's how I grew up.
I'm not ready to be that guy who can meet with world leaders and all that. It's tremendous what Bono does. I don't know if I could do it, not the way he does. I don't think many people could.
We went from an era when rock 'n' roll meant wearing a bustier as a woman and these spandex things and guys trying to portray someone that wasn't realistic. We are trying to make it seem real... relate to our lives.
But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.
On Twitter, if you want to quote someone else, you say, 'RT, re-tweet, that person's name, and then what they said before.' And it's a way of essentially saying, 'I'm not saying this, but my friend said this and I thought this was interesting.'
Now if you're using Twitter or other social networks, and you didn't realize this was a space with a lot of Brazilians in it, you're like most of us. Because what happens on a social network is you interact with the people that you have chosen to int...
Moments of crisis, like the shooting in Newtown, tend to produce brief spikes of popular interest in gun control. My research on media attention suggests these spikes are extremely short-lived, and that they may be decreasing in intensity.
Good evening South Africa, it is really evening now that the shadows are chasing the sun down the west with a great darkness trailing behind them. I am scared for myself and for you because a long dark night is very close.
I also remember the second band I was in ever. We were called Hybrid. We got a show at this local street fair, and we were playing on the back of a flatbed truck. There was an ad in the paper, and it said that 'Hybird' is playing. I was so mad.
We've always wanted to do it, something you could dance to, and deep down we always thought we could bring something to the table if we could do it, but the live shows always made us pull back and be a rock band.
You have to recognize at some point that even though you have the passion and creative level to be able to do something, you might have to do a lot of prep. Sometimes you just can't do it as quickly as you want to do it.
Twigs has been my nickname for years, and I guess a lot of people close to me called me Twigs, like, as a nickname. Before I even did dancing properly or anything, like, substantially creative, I was still Twigs.
When we were trying to get 'Jersey Boys' off the ground, I'd get, 'The Four Seasons? Who's going to care? There's the Beatles, there's the Rolling Stones.' But people know those stories. Here was a story no one knew.
When all your stuff gets smashed, everybody gives you new stuff. And when you've been playing the same guitar since you were like 12, that's a lot like dancing with somebody else's wife.
I don't want to hear songs about how sunshiny things are. I don't like songs that feel like radio candy... I like the ones that make you think, laugh or cry - they pull some kind of emotion out of you.
I really like the old stuff that I cut my musical teeth on, and I loved it when the industry was just like that, without really a genre. Today, country radio's more aimed at a demographic than a genre. It just softens everything.
I only shoot on film. I like the quality, the grain and the imperfections. It offers me something much more rewarding than any digital camera can give me. I believe the extra expense is worth it.
I don't concentrate on technical things like where a microphone is placed and things like that. As a producer, I try to keep the initial feeling from when I first heard a song and make sure we do what were initially aiming for.
I did some research and tried to pull out some old, classic Van Halen that they had not played in 10 or 15 years. I think that was Sammy's mistake. I he didn't want to do the Dave stuff.
