I look up to Marilyn Monroe and Audrey Hepburn and old styles. You will never see me in a crop top and hot pants - I'm more into dresses.
See, I don't like places where people can't dance - don't like clubs or theatres where a bunch of bourgeois people sit around tip, tip, tipping their fingers.
That's where it begins and ends for me and these songs were the ones that touched me the deepest. It was like I was laying hold of some part of me that I didn't even know was there until I let it out.
My only advice is to try to get the job that's most like the job you want, rather than the one that's more prestigious. Always try to be the talent.
I don't have perfect pitch, but I have relative pitch. I'm glad I don't have perfect pitch because perfect pitch can drive you crazy.
My most powerful memory was hearing Earl Scruggs on 'The Beverly Hillbillies' as a 5 or 6 year old. That sound just blew me away, shook my head up.
I think it is very ironic that most people think that the banjo is a southern white instrument. It came from Africa and even for the first years that white people played banjo they would put on blackface.
You look like gold. I've been fooled before, but now I know I've made the mistake in the past. But now I, now I know the difference from gold and brass.
Historically, epics are set in Africa or Asia or the Wild West, but if you make an epic today it's hard to disassociate from the contemporary realities of those places.
I believe I became one of the first singers to be launched via television exposure. I guess I was a new kind of musical stylist for a new kind of media.
We don't need wings to be angels We don't need reasons to be right Your love makes us all better That who we really are Angels and heroes at heart
I believe very strongly that when it comes to desire, when it comes to attraction, that things are never black and white, things are very much shades of grey.
I got Sonny up to Harlem, and we started street playin' in New York. We did that for three or four years and survived. We brought it back to the streets again.
Stupidity knows no bounds and certainly no city limits, but by and large, 99 percent of the people who come to Melvins shows seem to be relatively well behaved... I'm happy and relieved by this.
I've toured the U.S. every single year and I've put a record out every single year whether it was on a major label or not; that doesn't make any difference to me.
We don't need another Woody. Even Bob Dylan knew he couldn't be Woody Guthrie... I like Woody Guthrie fine, but I don't need the 50th generation version of it.
The Smithsonian Festival of American Folklife, actually, was an effort to put something on the mall in Washington so American tourists could walk through America, and in their minds everything on the mall would be American.
It's an album that is a little bit different and probably isn't easy to get out. It's not likely that a major label would have picked it up and said that they had a smash hit record.
I think it's a really big deal to be able to meet people outside the context of something like a conference room or someplace where everything feels like it's formal talk.
I think when people twitter 20 or 30 times per day, that's too much. They are boxing everyone else out, and people stop following them because they need a break.
Obviously, working at Google wasn't a mistake. I used to just walk around. I don't know if I was supposed to, but I'd just open doors and see what people were doing.
