Money's never an issue. I can go and work for a small studio theatre somewhere if it's a play I really care about, or do TV or a big commercial West End show.
I am happy to make money. I want to make more money, make more music, eat Big Macs and drink Budweisers.
I don't think a Palestinian state is going to be created at a conference table; it will be created on the ground in the West Bank, and some day, a peace conference will ratify that which has been built on the ground.
The big stars I felt a kinship with were never the romantic leads. It wasn't Steve McQueen or Robert Redford - it was people like Walter Matthau and Anthony Quinn. My big hero was Tommy Cooper.
I have nothing against romance. I believe that we must hold on to the right to dream and to be romantic. But an Indian village is not something that I would romanticize that easily.
Personally, I can't see why it would be any less romantic to find a husband in a nice four-color catalogue than in the average downtown bar at happy hour.
But other vampire stories? Well, no, I really haven't read too many, and I can't say I'm crazy about romantic vampires anyway - to me the vampire is simply an evil monster.
Once I got married and had kids, I moved away from romantic roles, because it seemed wrong to have my three-year-old wondering why Daddy was kissing someone else.
I'm always trying to reach a transcendent point, a romantic point, but reach it in a really unconventional way, a really profane way. To get to that romantic, touching, heartbreaking place, but through a lot of acts of profanity.
There's nothing more romantic after not seeing your husband for four months than to have our first night back together, on a Broadway stage, with 12 million people watching.
It seemed romantic but also tragic - people would be winning but then lose it all, or crash but fight on, break bones but get back on their bikes and try to finish. Just getting to the end was seen as an achievement in itself.
Stand-up is like a row boat: it's fun and romantic when you're choosing to do it. But if you have no other choice than to be in a row boat it's not as enjoyable; that's survival.
If I were given a choice between two films and one was dark and explored depraved, troubled or sick aspects of our culture, I would always opt for that over the next romantic comedy.
You can tell a lot about a man from his hands. If they don't have any scars or calluses on them, you might as well assume they cry at romantic comedy films, too.
In terms of romantic films, all-time romantic films, I really like 'Gone With the Wind.' And I realize I sound so cliched saying that, but there's something so absolutely romantic about it.
I'd like to be played as a child by Natalie Wood. I'd have some romantic scenes as Audrey Hepburn and have gritty black-and-white scenes as Patricia Neal.
The most impactful place that I've been to where I was just completely awestruck, happy, moved is Victoria Falls between Zambia and Zimbabwe. It is probably the most beautiful and romantic place in the world.
When you see a bad romantic comedy, you see the script, the director, and the actors trying to create this warmth and this pathos and this feeling that you care about them. That cannot be manufactured - it's either there or it isn't.
I'm a hopeless romantic. It's disgusting. It really is. I've seen 'While You Were Sleeping', like, twenty times, and I still believe in the whole Prince Charming thing.
I'm better with my hands, and I always loved the slightly romantic idea of starting with bits of wood and being able to create something to sit on, to eat from, to store your clothes in.
I bought a selection of short, romantic fiction novels, studied them, decided that I had found a formula and then wrote a book that I figured was the perfect story. Thank goodness it was rejected.
