My wedding was at home, so I didn't really want to wear a veil in my house. Instead I wore a lot of diamond hair clips. They were brooches, actually, designed by Lorraine Schwartz.
My roots are on the live performing stage, so while I enjoy making films and the other things that I do, when I get on stage, I feel at home; I'm comfortable.
You're always tellin' me to go out more, Go ahead, get out and see the world, But then I think, why should I? I'd rather stay home and cry.
You know, radio was a really easy way to do the shows. You'd come in, do a read-through, there'd be a few rehearsals, then you'd come the night of the show and do it in front of the audience and then go home.
I was in elementary school in Mississippi, and when Katrina hit, my mom put me in home school. So ever since sixth grade, I've been home schooled, which was interesting.
When we were doing a scene, lots of times we would collapse giggling, because it seemed so silly because it felt like we were doing a home movie at times.
I've written a book; I've become a better husband and father because I'm home every day. My connection to the Hollywood world has only been through Facebook.
I know what it's like to have someone coming home who looks at you not in the way they used to in the old days, and I've seen my own face contorted with sadness and rage in the mirror.
For every big American movie I've done where I was the supporting guy, I've gone back home to Canada to do supporting movies where I was the lead.
Since the new film has been out, I'm doing quite a lot but then in July I will start doing things at home. I have to fix the house up, see the grandchildren and such.
The challenging thing is that we go home after doing the run-through and the writers stay there working, so sometimes I get script changes delivered to me at midnight. It's constantly shifting.
If I'm at home for the weekend - and that is almost never - I tend to get twitchy at about eight o'clock in the evening because my body clock is timed to go on stage. I don't know what to do with myself.
All of these things we do without children, and suddenly we don't do them anymore, and it comes home to us in a real way, that it's very different to have the responsibility of a child.
A lot of filmmakers from my generation were lucky enough to have their work more or less perpetuated by people who saw them originally on TV and on HBO and certainly on home video.
I always think the second worst thing in the world is to go on stage at night, and the first worst thing in the world is sitting at home at night. For me, it's scarier to not be doing it than doing it.
I fantasize about having a manual job where I can come home at night, read a book and not feel responsible for what will happen the next day.
I've been doing stand-up just about every night since I started in 1989. It's my home base. But I'm into doing comedy in all mediums, platforms and situations.
I'm never without Nerds and peanut M&M's. I have a sweet tooth! I have an unlimited supply on hand at home, but the candy packs in my purse are not for sharing.
When I started editing on my home computer, I said to myself, 'Well, I could be at home studying for a class or I could be at home editing a video.'
Every day I lugged my backpack through the halls, waiting for the final bell. Then I'd race home and hole up in my room, playing the drums and the piano, composing music.
My father was a CPA. He worked hard in the aircraft industry, and would come home more and more infrequently. He was about to leave my mother, which he did when I was 15.
