It's not just about young people - there are films being made that deal with women getting older. That's a huge bonus, and here in America, that's a huge step forward.
Getting to perform at the Carlyle, following in the footsteps of women like Elaine Stritch, Barbara Cook, Christine Ebersole, Kelli O'Hara, and so many others, is nothing short of a dream come true.
I like to play smart, three-dimensional women. I also like to play roles where the women are a little crazy. I just have a feel for crazy people.
With women, I've got a long bamboo pole with a leather loop on the end. I slip the loop around their necks so they can't get away or come too close. Like catching snakes.
It's fascinating for us women to begin looking at our lives in five-year plans. It really does help you keep on track. If that's too hard, start with a two-year plan.
Women are never the protagonists; we're always reactionary against everything that's done to us. I like people who write for women that have got a bit more about them.
So I constantly play women who are damaged and out of touch, who are seeking without knowing, or knowing without the skills to transform their lives. But then, that's really the fate of many women today.
I am a sufferer of endometriosis. I didn't want any young women to go through what I went through. I thought that people should know about it.
My bedroom was plastered with pictures of Van Damme. My mother was worried about me. Most teenage boys have half-naked women on their walls, and I had Jean-Claude.
I've always been a strong feminist and felt that the image of models was detrimental to women. That whole thing really bothered me. I would think about quitting about once a week.
I never did drugs and I can't really drink because I have zero tolerance for alcohol, so my vice became women. I was never faithful to most of them.
I fight for the environment because we only have one planet, but I see how the environment affects poverty and how the environment affects women around the world.
My interest in Women in Film came from attending the Crystal Awards in 1998 where Meryl Streep and producers Gale Anne Hurd and Lucy Fisher were honored with the annual award.
I think the roles in television are better for women right now. At this point, I don't want to continue doing the same things I've been doing in film because it's very limited.
I feel more comfortable doing films with groups of guys. It's a lot easier for me. There's a difference with women: you can't take them to dinner every night and go crazy.
It is important for women to feel beautiful when she looks in the mirror, and I tell women, 'If you don't feel beautiful, find one thing that you can look in that mirror and say, 'That is beautiful.'
It would be nice if models were allowed to be a more healthy weight - for the models, and for the young women who look up to them. We were athletic and healthy, and we looked like women.
The West will have to choose: either to come to terms with Russians, or to receive a retaliatory blow. This retaliatory blow will not be by means of war. We will resort to the same weapon: nationalism.
The West is a civilization that has survived all the prophecies of its collapse with a singular stratagem. Just as the bourgeoisie had to deny itself as a class in order to permit the bourgeoisification of society as a whole, from the worker to the b...
It is good to recall that three centuries ago, around the year 1660, two of the greatest monuments of modern history were erected, one in the West and one in the East; St. Paul's Cathedral in London and the Taj Mahal in Agra. Between them, the two sy...
We have been cut off from our souls in the West, and because romantic love has become our religion, we think we can find fulfillment through this extraordinary and powerful force that draws us into an illusion of permanence. Passion makes us feel ali...
