We imagined that the mildness of our government and the wishes of the people were so correspondent that we were not as other nations, requiring brutal force to support the laws.
Marilia: Their fathers were very different but they were both born insane. It's my fault.
People were expecting Rouge to go bankrupt, so there was a lot of anxiety. The corporate culture problem was even worse than in Russia. And at the same time, the work rules were more difficult.
Chicago '68 was a relatively small demonstration for its time, but I've talked to millions of people who claim they were there because it felt like we were all there. Everyone from our generation was there and was at Woodstock.
Perhaps it is time to debate culture. The common story is that in 'real' African culture, before it was tainted by the West, gender roles were rigid and women were contentedly oppressed.
The only credit I can give them. They synchronize wonderful. That's all. They synchronize very - you would have thought that they were actually acting, but they were synching all the time, and that's a rough job.
It was like an older but better version of Young Talent Time because we had more time to spend on it. There were three guys and three girls and we made thirteen episodes that were sold in the United States and Canada.
You wouldn't think it would but my parents were really balanced about that. When it came time for me to be out of the house and out on my own they were very supportive.
The '80s were a time of technical wonder in filmmaking; unfortunately, some colleges didn't integrate their film and theater departments - so you had actors who were afraid of the camera, and directors who couldn't talk to the actors.
Comics were going down for the second time and here, all of a sudden, came this thing and for the next fifteen years, romance comics were about the top sellers in the field; they outsold everything.
Every time the guys were knocked out by my guitar playing and the girls were knocked out by the type of songs I did. That set us apart from the average blues band.
I think artists are always investigating how to have an economic, political platform. At one time, artists were supported by the Church. Then they were supported also by the state.
There was a time we decided that it was songs that were done especially from my background because of the things we were dealing with, but nowadays, anybody who has a need, and can find the need, they can sing the blues.
I couldn't put my finger on one reason why we broke up. It was time, and we were spreading out. They were spreading out more than I was. I would've stayed with the band.
It was trying to break down the stereotypes and it was the kind of thing where, for the first time, women were on a par and not seen as just objects. Though girls were objectified still.
A lot was happening, plus there were an enormous number of people in the industry that were going to conventions, so it was a pretty fun time. Also there was a lot of controversy and I was at the forefront of some of that.
Some of our national heroines were defined by the fact that they never nested - they were peripatetic crusaders like Susan B. Anthony, Clara Barton, Sojourner Truth, Dorothy Dix.
Lord Victor Quartermaine: [after Gromit intercepts the gold carrot-bullet meant for the Were-Rabbit] Aarrghh! Potty poo!
Reverend Clement Hedges: Hello? Is anyone there? [Were-Rabbit lets out an enormous belch] Reverend Clement Hedges: Mrs. Mulch?
Linda: There were people sufferin' in pain and hunger. Some people their tongues were hangin' out of their mouths.
Officer: [In the bunker during a bombardment] Berlin is now nothing but warehouses: Here were some houses, and there were some houses. [laughter]
