My characters all have issues, but I don't see that as weird or abnormal because I think in real life there are very few bland, normal people.
Every time you go in, it's like starting over. You don't know how you did the other records. You're learning all over. It's some weird musician amnesia, or maybe the road wipes it out.
I'm a big fan of Yoko, one of those weird people who really love her music, and who argues with people all the time, because people do write her off.
I haven't had to do too many, or many explicit ones. Everybody feels weird, and everybody is trying to tiptoe around and make you think they're not there. The last time I did a love scene, I couldn't keep a straight face.
I know I love sexy surf guitars, I know I love loud snare. I love really simple repeating bass lines, and I love weird mad scientist keyboard sounds.
'Eraserhead' is a weird, horrible nightmare, and it doesn't narratively make sense. Stuff's happening, but you honestly feel like you're in a nightmare, and it has such disturbing imagery that it stays with you forever once you've seen it.
Our lives are a divine expression no matter how messy and weird they may be. How much more meaningful can it get? The source is experiencing itself in form in a conscious, awake way.
People build up a picture of Johnny Depp as being some sort of weird pirate character. In reality he's incredibly nice... one of the nicest people I've ever met.
There was a scene cut out of 'Big Fat Liar' (2002) where I had to wear a dress. This may sound kind of weird, but I really enjoyed shooting that scene.
A lot of people, quite frankly, think intense attachments to animals are weird and suspect, the domain of people who can't quite handle attachments to humans.
It's always been kind of weird to me because when you give someone an autograph, you're looking down at a piece of paper and once you sign it the person moves on.
When I was about 13 I realised girls weren't going to kiss me because I was a gigantic, weird looking creature from the depths. I was like 6 ft. aged 11.
I'm sort of one of those weird actors who whenever I do a play, I think, 'Oh, we should film this,' as opposed to have to belt it out of ourselves in a theater auditorium.
We went to a very small high school. It was, like, in a wooded house; it was a weird school. I hung out with a lot of guys in high school, and I did theater with a few of my close girlfriends.
Hollywood is like living in a weird bubble. A bunch of people take care of you and get you stuff, and you're the center of that little microcosmic world. You start believing that it is real and... you deserve it.
The Marvel universe is a deep, weird, woolly place, and getting to expose strange corners of it is part of the fun of 'She-Hulk.' Honestly, it's part of the fun of any Marvel book.
On 'Honeybabysweetiedoll' I used a Whammy, a Boss OC-3 octave box, a Sustainer and a Line 6 DL4 Delay Modeler. That's only on the intro, where all those weird noises are happening.
When I got a lap dance, because I was 17, they had to put a massive pillow between me and the girl when she was grinding me. It was weird, yet pleasurable.
My guilty pleasures tend to be weird, old shows that I find on channel 20 that I've never seen before like 'Voyage to the Bottom of the Sea' or the 'Planet of the Apes' TV show.
One week I was in school and the next I'm at Leavesden Studios in Dumbledore's office reading scenes with Daniel Radcliffe. Weird. And terrifying for such a huge 'Harry Potter' fan.
When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.
