There's sort of a very symbiotic thing that happens on good TV shows with great writers, which is that they start to sort of embrace who the actors are and try to make the roles more specific to what they bring and what they can do.
I'd love to have my own TV show, in the way that Julianna Margulies has 'The Good Wife,' or a lovely ensemble show, like 'Six Feet Under.'
If I don't eat something after I work out, I get shaky and cranky - not a good combination when you're a television host.
I'm not saying I want a film career because I think I'm too good for television. I'm simply saying I want more control over my life.
We're used to boy meets girl, boy likes girl, instant attraction on TV. But you throw a son in there, you throw a marriage in there, and you've got some really good character stuff.
In a lot of ways, TV writing taught me how to be a good storyteller. I learned about dialogue, scenes, moving the plot forward.
I think more money can be very detrimental to movies and TV because things get solved economically rather than creatively, and that's never a good solution.
I wasn't campaigning for a role in a Hollywood television series, it was a fluke. So you've got to have a measure of good luck, you really have, being in the right place at the right time.
People like continuity, and the good old cliffhanger every week is something they enjoy. I enjoy it - I don't want to dip into just one episode when I turn on the TV.
In TV, and in particular in commercials, you don't really need to explain very much at all - you just say he's a spy and he's a little bit theatrical and overblown and smug and he's not very good at his job.
Particularly with live TV, I have a really good time reacting in the moment to things that are going on around me. I try to think of the viewers' perspective too.
It's all good fun - television and movies and so on - but the good thing in theatre is there's nothing and no one between you and the audience so you can do what you want really.
Television's grown up a lot. It's a little more adult, which I think is a good thing. It allows actors to tell more complex stories. I'm happy to see where it ends up.
I've had the good fortune to have a much more diverse life than most people would, professional sports and television and news and movies.
I actually think there's a potential, a crazy potential, that network TV could become something valuable and worthwhile, just because of fear on the part of the networks.
Our top story tonight: Famous TV dolphin flipper was arrested today on prostitution ring charges. He allegedly was seen transporting two 16 year olds across state line for immoral porpoises.
Everyone always asks me, 'Do you want to be famous... ' I never really thought about becoming famous. I just want to work, to be able to put out inspiring and good film and TV.
I turned down many chances to be on TV before 'Pop Idol' because I really wasn't interested in being famous. I didn't need it and didn't want it.
I admire the Shabbat tradition, and no matter which faith you are of, there is nothing more wonderful than dedicating a certain day to spend time with your family and loved ones, absent of TV, phone, and other interruptions.
Think of it: television producers joining with newspapers to tell stories. It's journalism of the future. Advertising will follow the crowd - the 'crowd' being viewers and readers, of course, which could bring revenue back into journalism.
I mean, the nation in which we live - and the world in which we live - is so extraordinarily more like a future than the futures that we're being sold on the screen and on television.
