This sounds really craven on some level, but on some level, a lot of what I'm doing is trying to not do a typical TV show.
Being a teacher at a restaurant in the town where you lived was a little like being a TV star...
I couldn't bloody believe a prime-time TV show would have an Iraqi ex-Republican Guard torturer as a main character.
I don't like being on television when I'm playing live. I don't even like being on Jools Holland or any of them programs.
I'd been gearing up to working in theatre since coming out of drama school, but it was an exciting time for TV drama - it was the birth of Channel 4, and Brookside was very cutting-edge at the time.
While the revolution will be certainly televised, it strikes me that there is a strong possibility that the revolution will also be crowd-funded.
The TV weatherman has always been one of the best, most secure jobs. They change anchors, they change the set, producers come and go. But the weather person hangs on forever!
I've been looking to do TV for a while. I've always done guest starring stuff. I've done a couple of multi-episode arcs, and I've always loved the experience.
It's hard to make a living at independent films, at least in my experience. It can be hard to be really creatively fulfilled in some television. Between the two, I get a bit of both.
Television is an isolating experience, sadly enough. I'm sorry to say it. But as good as it ever gets, it's still isolating. You sit in your home and visit with no one.
I've played the leads in two British TV series. I've done a bunch of mini-series. Everybody in Australia is a bit in awe of BBC. I've worked for there, and that was a great experience.
I had a great time working on 'The Gates,' and that was my first real experience doing supernatural television, working with the special effects and everything that goes into making a supernatural show.
Ed Sullivan brought me to TV first in 1952, then Garry Moore's program gave me a lot of confidence and freedom.
If you operate a TV or radio station, you have to have a license. It has nothing to do with fundamental freedom. It has to do with protection of the average citizen against abuses.
He's a TV producer, a theatrical impresario, and he wants to be treated as Mr. Windsor but when the going gets rough he wants to be treated like a member of the Royal Family.
In my family, in the days prior to television, we liked to while away the evenings by making ourselves miserable, solely based on our ability to speak the language viciously.
I always find that really interesting, you know, when I get to see characters that I love in TV and film and theater around their family.
TV has gone back to basics, relating to middle class family with real characters, less make-up and simple shots. I feel as an actor it is a delight to work in such shows.
For me I'm a luxury brand trying to prove to people and the industry that it's not about being a TV celebrity in any which way, it's about being a designer and having a business and being successful at that.
Nashville was totally different than I ever dreamed. I had only seen the music business on television and been to a couple of concerts. I had no clue.
I think I thought it would be important for electronics as we knew it then, but that was a much simpler business and electronics was mostly radio and television and the first computers.
