My only qualifications to be an actor were that I'm daring, and I'm a quick learner. I've always learnt by watching what other people do. It's the same with my writing. I write what I know. Structurally, I write in a very undisciplined way.
As an actor you have to bring to the table your creative input. But when a director like Ridley Scott says I want you to do this this way, you know when he gets to the editing room he has a reason for it. It's like watching a masterpiece.
I watch these actors who when you go to buy a pint of milk you see them smiling on the cover of 20 magazines. Then when you see them in a film it's hard to believe the character because you just see them everywhere.
Be ever watchful for the opportunity to shelter little children with the umbrella of your charity; be generous to their schools, their hospitals, and their places of worship. For, as they must bear the burdens of our mistakes, so are they in their in...
I think everyone who goes to see a 'Bond' movie expects to be impressed by the look and the locations chosen. Certainly I was when I grew up watching them, and I don't think that's changed in the last 50 years.
As much as I loved Jackie Robinson, Roy Campanella, Junior Gilliam, and Don Newcombe, I loved watching Willie Mays play more than all of them combined, even if he played for the 'bad guys!'
Born in St. Petersburg, Russia, my wife speaks five languages: Russian, English, French, Italian and, out of self-defense, Spanish. I watched her learn Spanish in three months.
A big lemoncolored cat watched him from the top of a woodstove. He turned his head to see it better and it elongated itself like hot taffy down the side of the stove and vanished headfirst in the earth without a sound.
I used to just take every job that seemed relatively appealing. But now I take a job and it's in the trades the next day - it feels like people are watching and waiting to see what you do, and when you do take a job, attention is noted.
I'm often asked which author I am most inspired by, but I'm inspired by all authors. It takes a great deal of courage to pour your onto paper and watch silently as the world judges it loudly.
I'm here today to warn you: I want you to watch out for the adversary. Guard yourself from any spirit of entitlement. Restrain any and all subtle temptation to gain attention or to find ways to promote yourself.
My shoots are very much about skin, so I'm an exfoliating and moisturizing nut. I fly so much, so I take my makeup off as soon as I get on the airplane. I look at my watch every half hour and moisturize.
That professionalism comes from what I've watched people do on the set. I'm just trying to be as respectful to the environment, as they have been. I think I still act like a kid. I just try to be as professional as I can.
If you listen to the way I speak and watch the way I conduct myself - there's nothing about me that's rock n' roll. It's like, 'Hello, I'm in a rock n' roll band'. 'No, you're a narc.'
Guys are really easy to get along with. It's a lot better than being on the bus with eight girls. But the worst part is being the only girl, because there's some days where you just wanna watch a chick flick.
Jay-Z called me onstage during my song that I produced for 'Watch the Throne?' That was surreal, man. One of those situations I'll never forget. I'll be able to show my kids the footage of when Jay-Z brought me onstage.
I miss improv. I hate it in a way - watching it, doing it - but only because it's so challenging and nerve wracking. Improv is the only belief system I've ever experienced that directly works on how to be. Just how to be.
It was awkward because the high school that I went to, my aunt taught at, it was this private boy's school in D.C. There were one or two teachers that I had the hots for, but never fully expressed my feelings because my aunt was always watching.
Animation translates well to a small screen. When you look at Walt Disney or Chuck Jones - you know, Bugs Bunny - there really isn't any difference if you watch on a very big screen or a computer screen.
My father's films are often very slow for the modern audiences, which are used to a lot of editing. It's the audience that watches the film instead of the director dictating the reaction he wants from you.
In the old days you could do re-runs, and people would have to watch that because there's nothing else. But with Netflix and Amazon, Hulu, Xbox, as well as premium and regular cable, it's very hard to do that.
