I almost never set out to photograph a landscape, nor do I think of my camera as a means of recording a mountain or an animal unless I absolutely need a 'record shot'. My first thought is always of light.
What I mean by photographing as a participant rather than observer is that I'm not only involved directly with some of the activities that I photograph, such as mountain climbing, but even when I'm not I have the philosophy that my mind and body are ...
I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcar...
I am very much aware of the visual side of things. I do a lot of photography. I often take Polaroids of things that strike me as visually interesting, just to remember them and perhaps use later.
When you grow up your mother says, 'Wear rubbers or you'll catch cold.' When you become an adult you discover that you have the right not to wear rubbers and to see if you catch cold or not. It's something like that.
I won't do advertising if they bring a layout and say, 'This is what we want to do,' because anybody can do that; it's not interesting. They've got digital and the computer; it's not taking pictures, it's not magic - it's a picture done by committee.
I write in order to express what the photo itself cannot say. A photograph of my father doesn't tell me what I thought of him, which for me is much more important than what the man looked like.
I can be fascinated with very little things. The clouds stimulate my imagination, and sometimes I just sit somewhere and go on dreaming for a long time. Your head is also a computer. When you're dreaming, you are simulating a world in which you are l...
Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
I did take my camera along, as I felt there wouldn't be enough time to draw the things I wanted to do. I did some drawing and did a lot of photography but I was not part of Stryker's outfit at all.
The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time.
I found that if I don't paint for around a week, I get practically suicidal. It took a long time to figure out why I had these mood swings, and I finally figured out it's because I haven't painted.
In those simpler days, you could just take pictures of movie stars and show them the way they were, as normal human beings. And if I felt part of any movement at the time, it was just to do that - to be journalistic and photograph what is, rather tha...
Making children cry for a photographer can be considered mean. But I would say that making children laugh and show off their jeans for an apparel ad is just as exploitative and less natural. Toddlers' natural state, like, 30 percent of the time, is c...
I try to construct a picture in which shapes, spaces, colors, form a set of unique relationships, independent of any subject matter. At the same time I try to capture and translate the excitement and emotion aroused in me by the impact with the origi...
Maybe I've lost a little, but I think everyone does over time. People have been writing that I'm getting old every year, and eventually they're going to be right. There's nobody in this game that's doing the same things they once did in the peak year...
When I was starting out, when I put aside my career as an economist. I looked at every book, went to every show, did my first stories, developed my first films. A fabulous time.
Tia and I have been together for 10 years. Our relationship is not just something that happened overnight. She was with me when I moved to California. I had nothing, and she was established, who had all this money, but she didn't care. That's how I k...
The thing that happens is that politicians run on tough-on-crime rhetoric. You appeal to the public and say, 'Let's put more money into taller fences, tougher laws, tougher sentencing, handcuffs,' and where does that money come from? Well, immediatel...
I have mixed feelings about those sorts of things. When I see it done by interesting young people, I think it's very valid. But when established photographers, people in their forties, copy me and get a lot of money, well, I find that to be very stup...
