David Boreanaz is actually a very good director and he directed one of our episodes. Excellent director, knew exactly what he wanted. We never had long days with David. He was great, he knew exactly what he wanted and he's a fantastic director.
I want to be good all the time, so I feel anxious. But if you weren't like that, you'd be dead, wouldn't you? If you went out happy down the road, la la la. I've never been like that. I don't want to be.
I've always been fussier than I can afford to be. I don't just want to do whatever it takes to be successful, I want to do what I consider to be good stuff. If I'm not engaged in something, it doesn't matter what it is and who's doing it.
I didn't want to be a solo Westlife - covers and ballads - and the reason I signed with Capitol Records was because they wanted me to write songs myself. It was pretty scary, but they put me in a studio in Nashville with some new songwriters, and the...
In any story universe, you don't just want to keep adding to it when there are places and planets that exist that will already achieve the same thing for you story-wise. You don't want to just keep making it bigger for no good reason.
I want to have a good time myself. I don't want to dread going to work no matter what the gig is. I think, selfishly, I will make sure that I have a good time; how about that?
I knew I had to write a good screenplay to be taken seriously, and I knew I needed to present Mississippi on visuals instead of just saying, 'Hey I wanted to film it in Mississippi.' It would seem like it was a hometown boy just wanting to be home.
When I was younger, I wanted to be a cop. Then I watched 'The Wild Wild West,' and so I wanted to be in the Secret Service like James West. At some point I realized, 'That guy is not in the Secret Service. He's an actor.' That sounds like a good idea...
Only younger brothers will understand me. We're following in the footsteps of older brothers. You are looking up to your brother. You want to do the same things. You want to do as good as he and do it even better.
The argument of socialists, that people really want to share, beyond a reasonable level of charity, is rubbish, though it is espoused by a lot of rich, pious hypocrites who want to share only enough to avoid widespread starvation, mob violence, and g...
We can't have - we can't have a patchwork of 50 states developing their own immigration policy. I understand the frustration of people in Arizona. They want the federal government to step up and deal with this problem once and for all, and that's wha...
I've always wanted to be a mom because I want to give a kid all of the magical gifts my mom gave to me, such as love and friendship. She and I had this incredible connection that was so unbelievable.
I didn't want to be on the losing side. I was fed up with Jewish weakness, timidity and fear. I didn't want any more Jewish sentimentality and Jewish suffering. I was sickened by our sad songs.
You don't want too much fear in a market, because people will be blinded to some very good buying opportunities. You don't want too much complacency because people will be blinded to some risk.
I've always had a career. I have been working hard since I was 15 years old. Being someone's 'girlfriend' was never what I wanted to be famous for. What makes you 'famous' isn't always what you want to be 'labeled' as or known for.
I had no preconceived idea what fame would be like, because I never thought I would be famous. I just wanted to do my work. Hell, I just wanted to pay my rent on time.
I never wanted to be famous. I want to be more famous than I am so I can get the roles. I hate losing the roles. I was famous more for being around people who were famous, and I hate that kind of fame.
I don't want to create controversy; I just have an opinion on things, and there is nothing wrong with stating your opinion if you are asked. Everyone wants that right, and because you are famous doesn't mean you have less of a right.
I didn't necessarily want to be famous growing up, but I knew I would be a good famous person because I'm not offended if somebody comes up to me and knows things about me and wants to engage me in a conversation.
We all sort of do want incentives for creative people to still exist at a certain level. You know, maybe rock stars shouldn't make as much; who knows? But you want as much creativity to take place in the future as took place in the past.
I came to live in Shepperton in 1960. I thought: the future isn't in the metropolitan areas of London. I want to go out to the new suburbs, near the film studios. This was the England I wanted to write about, because this was the new world that was e...