If you were to ask me about a mistake I have made, it's calling my fourth album, 'New Jersey', because for the first time in my life, we were compared to the E Street Band.
It's part of my life to feel like a criminal, to have eyes in my back and see if I'm being followed. It's a feeling that comes from street juggling because I have been arrested so many times.
In an interesting inversion of status, the reigning breed in the dog park these days is the really-oddball-unidentifiable-mixed-breed-mutt-found-wandering-the-street or its equivalent. The stranger the mutt the better; the more peculiar the circumsta...
I'd go down to the end of my street, to a garage that had a certain feeling about it, or a particular light; I'd take a picture of a friend who needed a head shot. That's how I learned, instead of having school assignments and learning camera techniq...
The director's job is full of all sorts of annoyances and details - like how many cars are on the street. Ugh. I don't want it. I like my gig. And I feel that for the next 30 years or so I can keep learning more about it.
I love watching people, and that's what I do; just go for a walk at about 4 o'clock, and go down a busy street, where you see people coming out of school and you get a glimpse of their lives, what they're talking about.
On my own or with a friend, I'm a shopaholic, and I particularly love the cleaning aisle in the supermarket. But when I'm with my husband, I'm shop shy because he can't bear it. It always ends up with us making a huge scene on the High Street and the...
I am big in Japan... heightwise! But, yeah, I started modeling there in my teens and into my 20s. I did Calvin Klein, Uniqlo, and lots of magazine covers. It's such a beautiful country, and they have beer vending machines right on the street. Love th...
On the steps is a machine-gun ready for action. The square is empty; only the streets that lead into it are jammed with people. It would be madness to go farther - the machine-gun is covering the square.
The kids from the streets don't want preaching or messages. They want what they can identify with. They want to hear about the reality of their situation, not fairy tales. They don't care if it's ugly; they just want reality.
New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world's greatest lie. New York is Senegal with machines.
Right now the long-term investors are telling us that they're not as concerned about inflation and so we're seeing these rates now move into the marketplace and out to the street - rates that individuals can get.
The most wonderful street in the universe is Broadway. It is a world within itself. High and low, rich and poor, pass along at a rate peculiar to New York, and positively bewildering to a stranger.
The other guy I dug a lot was Burroughs because he was a smart man already; he learned it through the druggie pool - the street scene of an old aristocratic kind of man.
My looks aren't something that come dazzlingly through in everything I do. I can be made to look one way or the other fairly easily... I am still not recognised on the street that much.
My wife and I met right down the street. Our single, 'Just a Kiss' is kind of about that moment. I was trying to replicate that dance-off between Justin Timberlake and Brittany Spears.
I like to treat paint as material - to daub it, drop it, let it slide. There was Action Painting, but I also compare it to paint effects found on the streets. This approach is superimposed on a sculptural surface that is also 'painterly.'
There's a joke in economics about the drunk who loses his keys in the street but only looks for them under the lightposts. When asked why, he says, 'because that's where the light is.' That's the problem with the deficit.
My style will be management by being on the street, management by walking around. Third persons won't have to tell me what's going on in our city. I'll hear it, I'll see it, I'll touch it myself.
People gave us everything for free. We were allowed only so much film per picture, but there was no limit to the creativity. I like to say that they let us loose like wild dogs in the streets of Paris.
I'll meet someone on the street and blurt out my most intimate details. I think everybody secretly - or not so secretly - wants to be understood, and I just want to connect, you know?
