Johnny Boy: [Charlie hits him] You two-faced, dirty fucking bastard! Don't you ever hit me again!
Nancy: Ok, here's what we're going to do. Glen Lantz: It's dark in here. Nancy: But it's not what you're thinking.
Rod Lane: [to Tina] Guys can have nightmares too ya know. Ya ain't got a corner on the market or somethin'.
Cable car conductor: [as cable car careens down street] We're gonna crash! Save yourselves! Oh, my baby!
Blanche DuBois: Straight? What's 'straight'? A line can be straight, or a street. But the heart of a human being?
Sweeney Todd: [holding up one of his razors] At last! My arm is complete again!
Mrs. Lovett: Barker, his name was. Benjamin Barker. Sweeney Todd: What was his crime? Mrs. Lovett: Foolishness.
Anita: [sobbing bitterly] Bernardo was right, If one of you was lying in the street bleeding, I'd walk by and spit on you.
Every single person who has ever walked down the street with a FEED bag has purchased it. I think that's really relevant because it means that you have got to make that choice to spend that money on that product.
I have donated money to campaigns. And I have been known to take to the street in protest. But I am more committed to my immediate politics than general politics.
I will never say never, but I will say never to doing the more typical romantic comedies. You know, unless I'm getting audited and I'm on the street and I desperately need some dough and that's the only thing that I'm getting.
As a journalist, you have to have multiple sources and verifiable science, and when you've done that and satisfied the most skeptical voice in your head, you have an obligation to ride through the streets - let people know what's going on.
I actually am grateful for Freddy Krueger, because the big surprise to me - with that sort of double punch of science fiction TV series and then the 'Nightmare on Elm Street' phenomenon - was that I got an international celebrity out of it.
When you're walking down the street, or you're at a restaurant, someone catches your eye because they have their own look. It goes way beyond what they're wearing - into their mannerisms, the way they smile, or just the way they hold themselves.
I would love to dive into an indie film based on the streets of East Los Angeles where I grew up. If that doesn't come my way soon, I think I just might have to write it myself.
The same people who are murdered slowly in the mechanized slaughterhouses of work are also arguing, singing, drinking, dancing, making love, holding the streets, picking up weapons and inventing a new poetry.
I'll love you, dear, I'll love you till China and Africa meet and the river jumps over the mountain and the salmon sing in the street.
You ask for your audience's investment in your music; you're in a relationship with them. And their relationship with the E Street Band is separate from whatever else I might do. I like the idea of us being something that people rely on.
I wanted to do something as an extension of my passion for music. My aim for the STREET by 50 On-Ear Wired Headphone range is to present music as it's meant to be heard, in studio-mastered sound.
My father was the proprietor of a music shop on Forty-third Street, where many of the finest performers and musicians of the day would come to shop. He knew the classical repertoire inside out.
I used to go to Bourbon Street when I was a kid and there would be club after club after club of people who were around when the music started. I mean these are legendary, maybe not so well known, but legendary musicians.
