I have problems with a lot of photography, particularly street photography and photojournalism - objectifying the other, finding the contempt and exoticism that you might feel within yourself or toward yourself and projecting it out to others. There ...
It may well be said that the answer to the question: Of what do the cosmic rays in fact consist before they produce their familiar secondary radiation phenomena in the earth's atmosphere? can only be obtained from numerous measurements in the stratos...
In order to make further progress, particularly in the field of cosmic rays, it will be necessary to apply all our resources and apparatus simultaneously and side-by-side; an effort which has not yet been made, or at least, only to a limited extent.
We are at the dawn of a new era, the era of 'molecular biology' as I like to call it, and there is an urgency about the need for more intensive application of physics and chemistry, and specially of structure analysis, that is still not sufficiently ...
Sound is a movement which is handed on from atom to atom in a gas through which the sound is passing, just as a chain of workers pass buckets of water to a fire. The quicker the workers move their hands and arms, the quicker the water moves.
By asking a novel question that you don't know the answer to, you discover whether you can formulate a way of finding the answer, and you stretch your own mind, and very often you learn something new.
On another level, I want to mention that I have a strong Jewish identity and - over the years - have been involved in several Jewish projects, such as the establishment of a strong program of Judaic Studies at the University of California in San Dieg...
Everything in ...nature, is descended out that which is eternal, and stands as a. ..visible outbirth of it, so when we know how to separate out the grossness, death, and darkness. ..from it, we find. ..it in its eternal state.
Coming back to the topic of computer security, the TCP Wrapper is an example of such a safety net. I wrote it when my systems were under attack by someone who appeared to walk through walls.
I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
When a man returned from the field and we'd look at the work, we'd criticize each other very genuinely and never offensively. And we would avoid all tricks, angle shots were just horrible to us.
Close your bodily eye, that you may see your picture first with the eye of the spirit. Then bring to light what you have seen in the darkness, that its effect may work back, from without to within.
To understand the universe in the state that it began in, the so-called Big Bang, we need laws of physics that work better than our current set of rules and procedures, which break down when we try to push them back to the beginning.
When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'
Building is just skilled labor, I suppose. It's a lot of work. I don't mind other people building them, but the way things go together and are made is interesting to me; I like that a lot.
My work is on the one hand laboured, and on the other completely happenstance and intuitive. But that's the swish in the work, I think. It's really important to me that the work isn't just sitting on top of something, that the materials are woven tog...
A painting of a person can be descriptive, but for me it's about all the things that make up a picture - the feelings, the brushstrokes - more than describing somebody. People latch on to the personalities when they talk about my work and forget the ...
'Sing It Again Rod' touches all the solo bases since Stewart's departure from the Jeff Beck Band, wherein he cut his teeth on American audiences for $75 a week plus expenses, and wisely ignores his generally inferior work with the Faces.
On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting.
Even though what I do does enter the market, it doesn't interest me. I am exclusively concerned with the formal qualities of my work. It is about the need and the right to self-expression.
I knew de Kooning and I went to his studio so I knew about de Kooning's work. But only a little handful knew about it, you know. Maybe there were ten people that knew about it.