We have to learn not to feel guilty about letting our imagination browse around, and you know, in writing fiction particularly. But I think, in any kind of writing, we have to learn to allow ourselves to approach it in a contemplative way.
Even the highest forms of sacrificial worship present much that is repulsive to modern ideas, and in particular it requires an effort to reconcile our imagination to the bloody ritual which is prominent in almost every religion which has a strong sen...
When a suitable quantity of India ink is introduced into the circulation of a living anaesthetized animal, it is evenly mixed with the blood, and if the animal is suddenly killed by stopping the circulation a few minutes later, and preparations are m...
Since stepping down as laboratory director in 1999, I have devoted an increasing fraction of my time to international issues. I am involved with energy, environment, and sustainability issues, particularly as they involve new energy sources free of g...
Now, when I came on to Washington to begin my job, I was so interested in photography at that time that I really would have preferred to work with Stryker than with my department, which was more artistic if you wish.
I did take my camera along, as I felt there wouldn't be enough time to draw the things I wanted to do. I did some drawing and did a lot of photography but I was not part of Stryker's outfit at all.
The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time.
I found that if I don't paint for around a week, I get practically suicidal. It took a long time to figure out why I had these mood swings, and I finally figured out it's because I haven't painted.
When I get very stressed, I make jam. I like things that produce a quick result, because fashion has such a long lead time. With jam, you start, and two-three hours later, you have 36 little pots, all full.
I can be working on a collection and a film at the same time. It can take a lot out of me, but the processes come from the same source. From a brief I set myself I can make a film, I can make a collection, I can make an installation.
I'm fascinated by Buddhism. I adore Buddhism, and I read about it all the time, but I haven't formally become a Buddhist, although I don't really know why I haven't. I guess I feel I don't need to.
But does that mean that war and violence are inevitable? I would argue not because we have also evolved this amazingly sophisticated intellect, and we are capable of controlling our innate behavior a lot of the time.
I try to construct a picture in which shapes, spaces, colors, form a set of unique relationships, independent of any subject matter. At the same time I try to capture and translate the excitement and emotion aroused in me by the impact with the origi...
I said, 'Okay, it's the year 2000, I'm getting a computer and a Palm Pilot.' I know how to check my e-mail, and I've listed some phone numbers on it. Half the time the battery has gone out so I can't use it.
When I was starting out, when I put aside my career as an economist. I looked at every book, went to every show, did my first stories, developed my first films. A fabulous time.
Everything I do is just really my intuition, and every time I go against my intuition, it's a mistake. Even though I may sit down and analyze and intellectualize something on paper, if I go against my gut feeling, it's wrong.
As though there were a tie And obligation to posterity. We get them, bear them, breed, and nurse: What has posterity done for us. That we, lest they their rights should lose, Should trust our necks to gripe of noose?
Girls especially are fond of exchanging confidences with those whom they think they can trust; it is one of the most charming traits of a simple, earnest-hearted girlhood, and they are the happiest women who never lose it entirely.
I made a habit always to hear the Indians; and although they very often lie to me, I do not show them any displeasure for it, for I do not believe them and I do not decide anything until I have found out the truth.
Friedrich von Trapp: I'm Friedrich. I'm fourteen. I'm impossible! Maria: [laughing] Really? Who told you that, Friedrich? Friedrich von Trapp: Fraulein Josephine, four governesses ago.
[Ralph pounds a jawbreaker in rage] Vanellope von Schweetz: What a moron. Hey genius, it's a jawbreaker! You're never gonna break... [Ralph cracks the jawbreaker] Vanellope von Schweetz: ...Huh.
