I started taking singing classes just two years ago. It was great. I never knew I could sing but I kind of found my voice.
We are all one - or at least we should be - and it is our job, our duty, and our great challenge to fight the voices of division and seek the salve of reconciliation.
I always knew I couldn't sing, but I also knew I had a voice that isn't heard by many, and that I could learn how to stretch it and make songs sound good.
I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters.
A lot of people recognize me or feel that they know me. A lot of times when I speak, they recognize my voice. It's fun, it's exciting. It's always good feedback.
I think 'Dilbert' will remain popular as long as employees are frustrated and they fear the consequences of complaining too loudly. 'Dilbert' is the designated voice of discontent for the workplace. I never planned it that way. It just happened.
I hear a lot of people singing in funny voices and singing like they're stupid. Singing in a deliberately fey and dumb and childish way. And I find it to be a disturbing trend.
Legend has it that when God created me, he gave me a big distinctive voice, a lot of boldness and no heart.
Behold, I stand at the door and knock. If anyone hears my voice and opens the door, I will come in to him and eat with him, and he with me.
I've always been about the power of a woman - accentuating the positive, deleting the negative, whether you're talking her body, her voice or her leadership.
As in nature, politics abhors a vacuum. Without a strong voice for more moderate leadership, the Tea Party is filling that vacuum.
All of the trickster, rascal characters that I write have the voice I aspire to. In real life, you can't be that obnoxious and get away with it.
One of the key characteristics of the comic book medium is that it is not brought to life by just one voice.
I'm grateful that, after an early life of being silenced, sometimes violently, I grew up to have a voice, circumstances that will always bind me to the rights of the voiceless.
The fact is that the learning process goes on, and so long as the voices are not stilled and the singers go on singing some of it gets through.
Years ago, I carved out an identity, and it has always been about having a voice to tell people about stuff I love.
I do love to sing. Had I a longer set of thigh bones and a sweeter voice, I should have loved to be a performer.
I'm a huge karaoke person even though I have the worst singing voice. When you love doing something, who cares?
James Morrison just had a new album come out and I think he's incredible. I'd love to work with him, his voice is insane.
There have been no voices against the structural reforms that I have proposed, especially the energy reform.
I always enjoy rhythms and melodies, but I always use my voice as more of an instrument and less of a soapbox for me to say or to preach.
