Every day the eye is subject to a thousand tiny shocks as a thousand industries compete for the eye-kick, the visual hook that will lock the consumer into product for that crucial second where the tiny - or not so tiny - leap of the imagination is ma...
So, I'm always around video games but I've always been interested in them from a visual perspective, with the graphic design and that whole thing. I don't know if that comes from my love of photography or what but that's always what's held my interes...
The great thing about having spent all this time on film sets is that I've been able to watch directors and how they work. I now know that this is what I want to do as well: to tell stories visually. But it's definitely my vision that I want to put a...
I don't worry about great visuals that they showed that weren't actually running on real hardware. It doesn't matter. Gamers don't make their purchase decisions based on movies that were shown in May for products that come out in March.
There's something always instinctively visually right about nature. There's no difference, to my eye, between looking at a great painting and looking at nature. Because painting, when it's great, has the same immutable rightness, unquestioned rightne...
It is good to see women doctors and lawyers and executives. I can visualize a woman president. If I were British, I would have supported Margaret Thatcher. But no benefit to anyone can come from women serving in combat.
When I do watch shows, or projects that I've been a part of, I'm pretty good at watching them objectively. And that's mostly because I want to see how it came out overall, what the overall story was and how it came together visually, what my mates we...
I basically try to visualize the team doing good things on the court the night before the game. I get shots up. There's not actually a pregame ritual that I do. I'm still trying to figure that out. I say a prayer. I go out with confidence.
I fear that my mind would starve and that I might find myself in danger if I had no visual information, that it's chiefly the light, the shapes, the spaces, the colors that I see that compel me to keep moving forward in life and that keep me safe.
I'm in awe of the universe, but I don't necessarily believe there's an intelligence or agent behind it. I do have a passion for the visual in religious rituals, though, even though they may be completely empty and bereft of substance. The incense is ...
I generally like very visually striking films. I love a lot of Stanley Kubrick's films. I would have to say 'Dr. Strangelove', which of course has got resonance in 'Watchmen'. It's a favorite movie of mine.
I always liked the visuals to be choice and at the same time minimalist. And, I love black boxes. After all, that's what theatre is, it's an empty space, and it's both limited and unlimited because the space is the space, but what you can do with peo...
No matter how difficult your life gets, find a way to hold strong to your peace of mind by positively interpreting your negative experiences, counting your daily blessings, and visualizing your future opportunities and possibilities.
There's a lot of two-hander dialogue in 'True Detective,' and I needed to place those guys in locations where there were other levels of visual storytelling. It didn't necessarily have to move the plot forward, but it had to add tone or add to the ov...
I think too many comic book covers are way too busy, crammed with far too much information, both visual and verbal, that just becomes a dull noise.
I don't use film cameras. I don't do visual effects the same way. We don't use miniature models; it's all CG now, creating worlds in CG. It's a completely different toolset. But the rules of storytelling are the same.
Hope is the moonlight filtering through the trees, Hope is the silent prayer that we make in distress, Hope is the promise that we make to ourselves, Hope is the happiness that we visualize, Hope is the horizon that we reach, if we try!
To have my fan club. I am very proud of doing everything. I try to support my parents, friends and fans. I am also proud of my performing in the visual arts, and motion television.
I think the main influence has been living in New York City. Aside from all the crap around 9/11, I find it very demanding to think amid all the noise and visual pollution.
I try to ask visual questions. I'll ask what someone was wearing, if that seems relevant. If possible, I'll walk over the same ground that they're depicting. Of course, I can never get it precisely as it was.
My golf is so delicate, so tenuously wired together with silent inward prayers, exhortations and unstable visualizations, that the sheer pressure of an additional pair of eyes crumbles the whole rickety structure into rubble.
