There are a lot of directors out there who are very specific, visual craftsmen, and while I have the utmost respect for that, they don't really communicate with the actors.
Visual ideas combined with technology combined with personal interpretation equals photography. Each must hold it's own; if it doesn't, the thing collapses.
I began composing works which were imitative of the music I was being told about. I was also very interested in translating the music into visual terms.
There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things.
I used to hate, with a capitol H, making videos. It was nothing but a chore. It was something you had to do to have your music accepted in the visual medium.
Boys, young men, men of all ages are being captivated by the new visual grammar which pushes men to pout and posture.
I've always been a follower of silent movies. I see film as a visual medium with a musical accompaniment, and dialogue is a raft that goes on with it.
The way we tell our stories on stage is that we use spoken word to convey action, and in movies, we use visual images to convey action.
Smells are so powerful and evocative, sometimes stronger than visual cues.
Everything for me is visual. That's just how my head works.
If you imagine yourself as a craftsman at ILM, you spend your days tumbling buses and animating shards of glass. You're doing a lot of visual effects work.
'The Desolation of Smaug' stands alone as an action/adventure epic movie. It's visually stunning, and the 3D is incredible. Plus, it's directed by Peter Jackson, and he's extraordinary.
It's amazing to be able to work with people right at the top of whatever they do... inspiring photographers and stylists with very interesting visual language. The more I do it, the more I enjoy it.
Jazz vision for me is seeing my art in musical term. It offers me an visual expressions in an ever-changing musical palette.
In my art, I deconstruct and then I reconstruct, so visual perception is one of my primary interests.
I often find myself privately stewing about much British art, thinking that except for their tremendous gardens, that the English are not primarily visual artists, and are, in nearly unsurpassable ways, literary.
In many respects, theater is still grappling with problems of reality and representation that the visual art movement realized were unimportant many years ago.
It’s a fact that when it comes to dating, men are all visual. Well, except blind men.
Painting is a kind of visual poetry as poetry is a kind of verbal painting.
Visualization engages the mind and encourages the body.
Create your own visual style... let it be unique for yourself and yet identifiable for others.
