In the place where I was a child, there were no artists and there was no art, so I really didn't know what that meant. I think I thought it meant that I would be in a situation different than the one that I was in.
I was raised in South Carolina; I wasn't aware of any art in South Carolina. There was a minor museum in Charleston, which had nothing of interest in it. It showed local artists, paintings of birds.
I believe that my art gets across the point that I'm in this morality theater trying to help the underdog, and I'm speaking socially here, showing concern and making psychological and philosophical statements for the underdog.
All my life as an artist I have asked myself: What pushes me continually to make sculpture? I have found the answer. art is an action against death. It is a denial of death.
I was originally going to be a lawyer, and the only thing I remember from the art of cross-examination is - you can see this one coming up Sixth Avenue - never ask a question the answer to which you do not know.
When I was a freshman in high school, I read a book about the making of Disney's 'Sleeping Beauty' called 'The Art of Animation.' It was this weird revelation for me, because I hadn't considered that people actually get paid to make cartoons.
I love going to art galleries. The Tate Modern is one of my favourite things to do. But I don't invest in the history of it and I don't read up on it. I am a guy who would buy a print rather than buy an original.
I have had this longstanding interest in going back to school to get a Ph.D. in art history. I was especially interested in exploring this idea of the ecstatic impulse in an artist.
Always the danger for me in life and in art is not to be brave. I am not a naturally brave person. I have to will myself not to hole up in my house and read my life away.
The adoption of gloves for all contests will do more to preserve the practice of boxing than any other conceivable means. It will give pugilism new life, not only as a professional boxer's art, but as a general exercise.
With the advent of chivalry, the art of boxing waned. The evolution of feudal aristocracy, with other and widely different exercises, pastimes and weapons from those of the common people, made boxing unfashionable.
When we hear some beautiful piece of Mozart or admire a wonderful building, we suddenly become present in ourselves. That's unusual nowadays because dishevelment and distraction have become an art form.
I think all art comes out of conflict. When I write I am always looking for the dramatic kernel of an event, the junctures of people's lives when they go in one direction, not another.
We could go work on curing cancer. We could go work on building spaceships. We could go work on art projects. What's fun about working at Asana is we get to work on all of them at the same time.
I would say being deeply involved in the art world would help keep a young artist on track. Doing what you love, so that your focus is your artistry.
All equestrians, if they last long enough, learn that riding in whatever form is a lifelong sport and art, an endeavor that is both familiar and new every time you take the horse out of his stall or pasture.
After its hothouse incubation in the seventies, appropriation breathed important new life into art. This life flowered spectacularly over the decades - even if it's now close to aesthetic kudzu.
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the p...
So right off, I'm going to have to say that a lot of people have been comparing Life Is Killing Me to World Coming Down, and I think a lot of those people equate art and sales figures, and I don't do that.
I got into figure skating for the art of it, as well as the sport, and how much I love it. And, you know, I do everything that I want. I march to my own drummer. Sometimes people have an issue with that, and I can't control it.
I began painting well before I started doing comedy. In fact, when I came out of the war in 1946, I enrolled in art school in Dayton, Ohio. I painted for three years, and then show business took hold.
