It is in fact agreed that I am the plague, the cholera of the benevolent and generous men who are interested in art and that, when I show myself with my plasters, even the Emperor of the Sahara would flee.
The women I know are smart, interesting people who aren't just there to service the men's stories, so I don't know why our art continues to do that.
It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians.
Maybe philosophy - I love talking about ideas. Or maybe art history. I was thinking about psychology, then I got really afraid because everybody says it's terribly boring.
I'd like to explode a few myths about what we call classical music. It's not high art for the titillation of a chosen few.
Undeniably the American art form, too. And yet more and more, we see films made that diminish the American experience and example. And sometimes trash it completely.
There's an axiom I live by: 'There is no art without politics.' You either choose to engage it, or you choose political apathy. This ties in with ideas around real-time performance and feedback.
I remember when I was in art classes, I hated following the assignments. And I would get in trouble for doing something totally different or taking it in a weird direction.
Thank God we don't know a lot about Shakespeare or Moses or Homer or Lautreamont. These are the best guys we got, and their art is powerful because they're mysterious.
The art of living does not consist in preserving and clinging to a particular mode of happiness, but in allowing happiness to change its form without being disappointed by the change; happiness, like a child, must be allowed to grow up.
Music is an art that expresses the inexpressible. It rises far above what words can mean or the intelligence define. Its domain is the imponderable and impalpable land of the unconscious.
I admire the abstract expressionists and pop artists so right now I'm referencing American '60s art and at the same time referencing Japanese manga culture.
I regard it as a waste of time to think only of selling: one forgets one's art and exaggerates one's value.
I was never much of a musical theater guy, but I have so much more respect for the art form, the physical exertion of doing eight shows on Broadway a week, I cannot even fathom it.
The people of Texas are rightly proud of their own, just like the French and the Italians, but visiting artists have often been given a shot in the history of art.
I don't know very many people in the art world, only socialise with the few I like, and have little time to gnaw my nails with anxiety about any criticism I hear about.
Playing live is a lost art, and you don't see a lot of bands that go out and play the way the older bands do. It's a celebration, and a lot of people treat it like a commercial or a distraction.
Ragtime has about the same amount of respect as comics. And in a way they're similar art forms. Ragtime is highly compositional, and the emotion in the music is built in, whereas in jazz a lot of that emotion comes from the way it's performed.
My mother was a teacher, and when she wanted to show me art and literature and science, she'd take me to museums, parks and free exhibitions.
Fairly early in my career, I had a passion for wine just as a consumer, and I started to learn about the whole process, starting with a piece of raw ground, and ending up with a work of art in a bottle.
You know, there's a saying in art that in order to be universal you must be specific. So I think every artist feels that he is dealing with specific things but that it also has significance universally.
